BOMB magazine

Originality #14: Interconnected Art

This was the first episode recorded while I was at Surel’s Place. I talk a wee bit about the residency, but the majority of the ep is about how cross-pollination is essential to creativity. We get into it in terms of art, writing, music, of course, and also technology.

I mentioned the auctions we did to support the Interfictions anthologies and doing so made me long for the days of putting together artists and artisans with pieces of fiction and watching what happened. I also had an idea for the Interstitial Arts Foundation that we should try to foster this kind of thing on a consistent basis. If I had the time, if all the volunteers had more time… man.

Maybe I’ll make time at the end of next year when things calm down a bit.

Until then, you can listen to the podcast below or on the episode page where you can see the show notes and also subscribe.

It’s sort of like an Exquisite Corpse…

It's sort of like an Exquisite Corpse...

There’s a long-term project I want to do with the Interstitial Arts Foundation, but it will require quite a bit of coordination and people power, so I’m not entirely sure how to get it started. However, I know I have about 7 million intelligent and creative friends who might be able to help out or point me in the right direction or give advice, so I decided to post my idea here.

So far the IAF has done several great projects to support interstitial fiction and writing about interstitiality. There are the anthologies, Interfictions and Interfictions 2, and the magazine Interfictions online. We’ve done two auctions where we asked visual artists and crafters to create art based on the fiction, but we’ve never done the reverse and not a lot with interstitial art outside of literature. This isn’t because the IAF is only concerned with lit, it’s more to do with who is doing most of the volunteering and driving the projects–i.e. artists whose focus is mainly writing.

This project will eventually grow to involve artists from all the different disciplines and will start with musicians. The idea is to invite musicians, singers, and songwriters to create songs, symphonies, sounds, or whatever else they’re moved to do based on interstitial fiction. Just as with the last auction, we can provide copies of stories from the Interfictions anthologies. Plus, there are now several available online for free. This time, we won’t limit it to interstitial writing published by the IAF — musicians can base their music on any piece of writing they see as interstitial. I know there’s a list of interstitial fiction around somewhere that we can dig up.

Once all the musicians involved are done and the music available to all, we can move on to the next artist group. My thinking is that we ask dancers and other movement-based artists to create a short performance or dance based on the music. Then, once those are complete, maybe visual artists create art based on the dances or textile artists create clothing for the dancers. And on and on until we hit multiple artistic disciplines and perhaps, way down the line, bring it back around to writers.

This could turn into quite a big project, thus the need for excellent project management. We’d need at least two people to coordinate who are musicians themselves and have contacts in that community. One of these people should be familiar with how rights work and help us craft the best way to present the idea to musicians. The IAF wouldn’t want exclusive rights to publish the music, but would like the ability to include the song on a compilation album of our own. Plus, we want other artists to be able to freely build upon the music for the next step in the project.

There are probably other considerations I haven’t thought of–please let me know your thoughts in the comments. Does this seem like a doable idea?

Interstitial Arts Foundation Salons Reborn!

Interstitial Arts Foundation Salons Reborn!

Just posted this on Facebook, but I know not everyone is on Facebook (or wants to be) so I’m posting it here as well. Feel free to link to this, tweet, share, tumble or copy the text of this post to your own blog.

You don’t have to RSVP to the Facebook event in order to attend. Just show up :)


You are cordially invited to the Interstitial Arts Foundation’s first monthly salon to be held in New York City on June 26th and every 4th Tuesday thereafter.

What is a Salon?

Literary and artistic salons started back in 17th century France, when inspiring hosts and hostesses gathered “stimulating people of quality” together to refine their taste and increase their knowledge through conversation. Today there may be fewer wealthy patrons willing to host an event in their townhouses, but there is always a need for artists to meet other artists, to explore other circles of creative influence, to cross borders.

Our salon aims to bring together writers, visual artists, musicians, performance artists, crafters, academics and other people of quality in New York City for a relaxed evening of conversation.

Who Are The Hosts?

The Interstitial Arts Foundation is a not–for–profit organization dedicated to the study, support, and promotion of interstitial art: literature, music, visual and performance art found in between categories and genres — art that crosses borders.

IAF members will wear Host badges, so if you have any questions about the salon or the organization or you just need someone to safely begin a conversation with, you can find us easily.

Where & When?

The Vagabond Café @ 7 Cornelia Street, Tuesday June 26, 7pm to 10pm – drop in any time.

Vagabond is the kind of café one would expect to find in the West Village, especially if you’re a writer, student or musician, but rarely seen these days due to the proliferation of Starbucks-like entities. It’s a cozy spot where one can find live music Wednesday – Saturday evenings, beer, wine and mead every evening, and a long list of excellent crepes at all times.

Should I Bring Anything?

Calling cards, business cards, postcards, CDs or other things you can hand people to remind them that they met you and where they can find your work.

If you’re a musician, bring your MP3 player/iPod or a USB key with your music and we’ll play it during the salon.

If you’re a visual artist, bring digital images of your work on a USB key and we’ll add it to the slideshow that plays during the salon.

What If I Can’t Make It This Time?

No worries! We’ll be hosting a salon every month on the 4th Tuesday, usually at Vagabond. To get reminders, please join our Facebook group or subscribe to the IAF Salons in NYC mailing list.

The Interfictions Auctions Ends Today, Help us Raise $400 More Dollars

The Interfictions Auctions Ends Today, Help us Raise $400 More Dollars

In a few hours the last of the Interfictions auctions will come to an end. Bidding closes on two around noon eastern time and then thereafter until around 7PM eastern. The last seven pieces are so beautiful and wonderful and amazing that I insist you bid! I’ve set a personal goal: I’d like to raise $400 with these last auctions, but that can only happen if you go and enter a minimum bid.

Now I obviously know that budgets are tight and all, and I certainly don’t want you to bid more than you can afford. But I bet that you can afford one of those pieces at the current bid, so why not go try? You might be outbid, but that’s okay. You still took a chance! And don’t be afraid of outbidding others. If they want it, they’ll come back and claim it.

Here are my thoughts and favorite things about each of the pieces:

All Valentines are One Valentine — When I was taking pictures of this box my roommate came in and sat just starting at it for 30 minutes. It tends to capture people and engage them deeply. I particularly love the bits of story written on different parts of the mask. And, according to Shadesong, the text written on the blue part of the mask is actually fanfiction. Fanfiction, people! In mask form! The interplay between the parts of the mask, like slices of a person, with the colors and the text is so masterfully done  that I could just stare at it all day.

Gilded Cage — Cris completed this piece just a little while ago so we slid it in right at the end. She’d already photographed a bunch of the auction pieces yet still found time to do this. I’m so glad as I’m a huge fan of her necklaces (I own three!) and this is no exception. I’m also really, really glad that she chose Genevieve Valentine’s piece since that’s one of my favorites in IF2 (in the annex). The bees and the lock and the color of the beads so perfectly encapsulate the beauty and majesty and terror and pain the character experiences in the story. Plus, it’s just damn beautiful.

Berry Moon — I’m sad that we could never get pictures that truly do this skirt justice. It’s not only beautiful, but the material it’s made out of feels so damn GOOD. It’s a wrap skirt and can fit a variety of sizes because the final hole for the tie hasn’t been sewn in yet. The artist, Pam Noles, did that so whoever won could size it to their needs. She’ll even make the adjustment for you. If you’re a fan of wrap skirts, of purple, of beautiful clothes, or want to give someone a fabulous handmade and possibly unique gift, go bid now! I will throw a fit if it goes for less than $100.

Valentines — Yes, there were a lot of pieces based on this story, but this one is (I think) the only one that represents a collaboration between the artist and author. From the statement:

Shira Lipkin and I collaborated on this project, working together to record the story in as many different forms as possible: audio on cassette tape and CD, video on DVD, handwritten on parchment, computer printed on paper. I then shattered the disks, tore the paper, and cut the tape into small fragments and used one fragment from each medium in this piece…

People, do you realize how insanely cool that is? Pieces of story recorded, deconstructed, and made into wearable art. How is that not something you want to own?

A Chain of Memories — This charm necklace is yet another fantastic embodiment of Shadesong’s story and also includes bottles for storing messages. Plus, you can add your own charms to it over time, thus adding to the story, and wear it in several different ways. I love the idea that, by wearing this, you’re participating in the IF2 story and creating a new version of it simply by existing.

The Quiz — Handmade journals are always a hit with me. This one is small, too, so would easily fit in a pocket. Yes, I’m bidding on it. If I win, I’ve decided to write bizarre quiz questions inside it and get other people to write in answers. We’ll see what the end product looks like, but I bet it’ll be cool. Maybe I’ll auction that off next year. Just because I’m bidding and plan to do this cool thing doesn’t mean YOU cannot bid and do cool things with this piece. Make me work for it!

What He Said — This pendant says: “Maybe we can not belong together”. I want it just for that. Belonging is something I think all people crave, though in different degrees and in different ways. The IAF is about bringing together artists who don’t belong and giving them a sort of belonging while not trying to take away the good that can come from not belonging. If that makes sense. Art often arises from tensions, and being outside, being in-between, being liminal is a great source of tension. It also helps when you can be around people who get that and celebrate it. That’s what this pendant is: the IAF in jewelry form.

Click here to visit the auction site and bid. Seriously, I want to raise $400 today and you can all help. Last time I checked, current bids put us at $277 for the day. So just $123 to go!  Help us get there. Look at these with an eye toward something you’d like for yourself or for a friend or family member. Bid what you can and spread the word.

Interfictions 2 Auction: My Favorites

This is my non-short and non-silly post about the Interfictions auction.

For those of you kind of new to my blog, I’m a member of the Interstitial Arts Foundation, an organization dedicated to promoting and encouraging art and artists that exist outside of or between borders. I’ve been a fairly active member for a while, mainly because I once expressed a bit of interest and Ellen Kushner pounced on me. I am forever within her paws, but that’s okay because she is one of the more fabulous human beings on the planet, as is her wife Delia Sherman. So it’s all good.

I was lucky enough to have a story picked for the first Interfictions anthology. Then about a year later I organized an auction of jewelry based on the stories in Interfictions. It went so well that we immediately began brainstorming ideas for how we’d run the auction for the next volume of Interfictions. This time we opened it up to all manner of art, as long as it was wearable, portable, or at least easily mailable. The call went out, some free stories were distributed, a little over 40 artists took on the challenge and now we have just over 30 pieces of art to show for it.

The auction has been going on for a couple of weeks now. Sorry I have not posted about it before this. Like I said yesterday: awesome, but busy job. The pieces that are no longer available were beautiful and amazing, but there is definitely still time to bid on some awesome pieces.

You should go take a look at this gallery with images of everything, but I am going to walk you through my favorites.

Shatterglass Datakey is ending today (in about an hour, actually) and I wanted it then Ellen Kushner tried to take it from me then my friend Charlotte came along and tried to pretend like she was going to win it. I’m going to be evil and bid at the last minute. If you are evil, maybe you should as well. It’s a pendant that is a key that is wrapped in wire and beads that have writing on them and, people, it is awesomeness squared.

Everybody Knows is a hunk of handmade yard that incorporates bits of paper with the story it’s based on (Valentines by Shira Lipkin) printed on it. You need to just click here and read the artist’s statement, as I cannot do it justice. I really like this piece, but I kept wondering if it would be possible to actually DO something with that yarn. Like knit it into a scarf or something. So I asked the artist, the faboo Emily Wagner, and she said:

You can TOTALLY knit with it. I mean, the paper is going to be falling out, but the yarn itself should be pretty structurally sound. I soaked it and stretched it on my swift when I was done skeining it up, which took FOREVER, BTW. :) I think it would be a really cool textural scarf, with lots of dropped stitches to show it off.

And here’s the thing: whatever anyone makes from this yarn, it will also be interstitial art. And the fact that the bits of paper will fall away adds this layer of transience to it. Like, no matter what, the Valentines will continue to fall away, until all that’s left is the memory within the yarn itself, in the person who made the yarn, and in the person who knitted it. There are just so many layers of meaning inherent in this art — layers that reveal themselves over time — that I can’t believe more people are not bidding on this. If you knit, you must bid. Then you must show us all what you knit. I’ll post about it on the IAF’s blog myself.

The Animometer is a piece everyone always gasps over when they see it. I have an affinity for art made from the bones of objects, and who doesn’t love an antique pocket watch?

The Child Empress of Mars (doll). When I first opened the box this came in I was both entranced by its beauty and shocked by its alienness. As I’ve said elsewhere, this is probably the most evocative and striking piece in the auction. It’s visceral and perfectly embodied the story and beautiful but also makes you want to run away screaming. Can you imagine having this in your living room in a place where everyone who comes in would see it? That would be so awesome. I have no hope of owning it, but that doesn’t mean you shouldn’t try.

Untitled is just a beautiful picture depicting a really, really strange scene. I love the colors, the way the brain is glowing but entrapped by and connected to all of those branches. It’s going up in a few days and is definitely on my want list.

I will post more favorites next week. In the meantime, you should go check out the auctions and this preview of all the pieces. There’s clothing and jewelry and funky barely classifiable items of amazingness. Also, if you have not already, you should check out the Interfictions 2 anthology. I’m lucky enough to have read all of the stories and can tell you that this antho is just as good as the first. My homie Alaya Dawn Johnson has a fantastic story within and my other homie Genevieve Valentine has a story in the online annex to the anthology. Eight stories that were so good that Delia and Chris (the editors) couldn’t bear to not buy them, so they published them online. You can read them for free.

Next week I will also probably post something about comparisons between pieces of art based on the same stories. It’s always cool to see different interpretations and which parts of the story speak to each artist.

Busy Day in the Betweenisphere

Busy Day in the Betweenisphere

Lots to do!  Firstly, you should travel on over to the IAFAuction site and bid on some stuff.  There’s plenty of stuff!  Yesterday two new auctions went up, a jewelry set and a necklace.  We only had one set sent to us for auction, and it’s really awesome.  The earrings are worth the opening bid alone!  Like, go grab that and some stuff.  The necklace is by Leslie What… yes THE Leslie What.  What more reason do you need?

Also, the auctions for Willow Pattern & And Then She Flew end soon.  Not to be pushy or anything, but that necklace based on my story is so super awesome that the bidding should go higher.  It’s based on my story, how can you not want to pay hundreds for it?  And Willow Pattern is an original Elise creation!  Even if you were to bid $80 for it you’d still be getting it for significantly less than if she just sold it.  So go bid $80!

And after all that hard selling, here’s something fun.  The third Interstitial salon started today. We’re talking about jewelry as art and as interstitial art:

We’ll be talking about creating visual art inspired by texts, about the relationships between narrative and wearable art, the cultural history of personal adornment — anything we can think of!

The conversation has already started, so join in!

Shiny Shiny Shiny

Because I was so involved in setting it up yesterday, I neglected to post here about the auction of jewelry based on Interfictions stories. From the press release:

Interstitial artists and admirers of Interfictions have come forward with some truly stunning pieces based on Interfictions stories by Matthew Cheney, Catherynne M. Valente, Jon Singer, Veronica Schanoes, and Colin Greenland. Participants include artists Elise Matthesen, JoSelle Vanderhooft, Mia Nutick, Kris McDermott, and many more.

And, most remarkably, some of the authors themselves have created unique pieces based on their own work! Keep an eye on IAFAuctions.com to see wearable interpretations of their own work by Interfictions authors Leslie What, Rachel Pollack, and K. Tempest Bradford.

I like that term: wearable interpretations Ellen Kushner came up with that!

So far a piece by JoSelle based on the Valente story and a piece by Sarah based on Cheney’s story are up. And today I posted a preview of stuff to come.

And yes, it’s true that I have something going up, too. I have been trying to come up with something for months. Months! But then I saw this gorgeous piece based on “Black Feather” (which is, can I just say, so amazing to see something beautiful that was inspired by something I did. So cool!) and was inspired myself. I don’t know if my idea will pan out, but here’s a sneak peek of the earrings I am making called “Inwood Hill”:

Work In Progress

I want to add one more chain, but I’m afraid of making it too heavy. But then I use pretty light materials on there — very light/hollow glass beads, coral, tiny Jasper beads that weigh very little. There will also be a black feather hidden in there somehow. What do you guys think?