Another guest challenger for this video: Gabriel Squailia, author of Dead Boys. Gabriel is actually taking the Tempest Challenge and this is the first book he read for it. Delicious Foods by James Hannaham sounds like a super intense book for many reasons, including the fact that Crack cocaine is a viewpoint character. “A silky, Satanic voice,” according to Gabriel. That’s deep.
Would love to hear your thoughts on Delicious Foods on the #KTBookChallenge tag on Twitter and Tumblr or the comments here or on YouTube. And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…
Last year at ReaderCon I asked some friends to be guest challengers for the Tempest Challenge and several said yes! Score. This is the first of those videos. Author Gabby Reed, who is the best, talks about why you should read Ink by Sabrina Vourvoulias. It’s a book that deals with issues around immigration, which is in no way relevant to current events, right? Science fiction, oh you.
Would love to hear your thoughts on Ink on the #KTBookChallenge tag on Twitter and Tumblr or the comments here or on YouTube. And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…
A couple of years ago a website called The Wirecutter published their recommendation for Best (non-fountain) Pen Ever. This post is over 6,000 words long, and not only gets into which pen they picked as the best and why, but also about types of pens and the differences between them and what qualities they were looking for in determining a Best Pen. Intrigued by all the gushing about their pick, the uni-ball Jetstream, I decided to try it and compare to my favorite pens. You can find out if I ditched by Pentel EnerGels for the Jetsteam in the podcast.
I also ask: is it really possible to determine a Best Pen for everyone? Plus, I wanna know what everyone else’s favorite pens are and why.
Listen to TWG #5: Is The uni-ball Jetstream Really The Best Pen? right here or subscribe in iTunes
The number of writers I know that don’t back up their stuff is scary. Y’all, you need to do this. It’s not even hard. And if you’re willing to spend a bit of money, you don’t even have to actively deal with it. In this episode I detail all the different types of backups for computers and tell you how to make a set it and forget it backup system, even when using physical external drives.
I also talk about that new-ish kind of frightening virus–Ransomware–and which backups help protect you against them (and which don’t).
Hugo Award voting opened not long ago, and the Nebula nominations are out. Awards season is in full swing! And that means it’s time (long past time, actually) for me to mention that I generated some award-eligible content last year. And I’ll be honest: I would indeed appreciate you considering me when you fill out your ballots1.
I didn’t publish any fiction last year (damn novel taking up all my energy), so all my eligible works are in other categories.
“Works of literary criticism” fit in this category, and my io9 column fits that label. Every week I posted links to short fiction (stories, novelettes, novellas) that I loved and wanted everyone to read. I hope I also shined a light on stories and authors the io9 audience wouldn’t have seen otherwise.
Just in case you think Jem and the Holograms was not a genre show, I will remind you that it was about a woman who changed her appearance via hologram-generating earrings controlled by an AI that was magically able to connect to government computers via wireless Internet, which did not exist in 1985, when the show happens. And that’s not even getting into the time travel.
Every week on the JEMcast we analyze (and sometimes make fun of) an episode of the show. We also provide commentary on Jem-related stuff, such as the movie we’ve already all forgotten exists. I love our little show and I’m very proud of the episodes we produced last year and continue to produce this year.
Fancast includes vlogs, and thus my challenge videos are also eligible. I didn’t produce that many last year, though, so I’m putting more effort into boosting the signal for JEMcast. However, I will not stop anyone from nominating the videos as well.
Writing from my blog is what counts toward this–well, the blog and social media posts and such, perhaps? I’m not the most prolific blogger these days. Though when I do write I tend to drop a bunch of stuff at once then go back to social media.
And that’s it. As I said, I hope you will consider me when making your nominations. In my next post I’ll list the stories and other stuff I loved from last year that I think you should also consider.
Footnotes
Do I need to put a disclaimer here saying NO SLATES, OH GOD, NO SLATES? I doubt it. Just in case: No slates, y’all. Nominate stuff you love and vote for what you think is best. [⇧]
Razorhurst is set in Sydney, Australia 1932. The protagonists are women and the characters AREN’T all white. What. How can this be? It’s a sneaky plot by Justine Larbalestier to make her books realistic and relevant or something. Justine continues to eschew uncomplicated and simple narratives about young people with this amazing historical novel. If you haven’t read her other books, start here and work your way back and do not pass Liar or How to Ditch Your Fairy on your way to GO.
Would love to hear your thoughts on Razorhurst on the #KTBookChallenge tag on Twitter and Tumblr or the comments here or on YouTube. And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…
Next up on the Challenge: Uprooted. This novel is on the Nebula ballot for best novel and I am thrilled that this is so. The book deserves it. I’m still trying to figure out how Naomi Novik squeezed an entire trilogy’s worth of worldbuilding, plot, and action into a single book. It’s a thick book, sure. Not that thick, though! And yet it feels like in the hands of a less skilled writer this would be a sprawling trilogy with a middle book that leaves readers frustrated until they read the end. Skip all that and just read this.
Would love to hear your thoughts on Uprooted on the #KTBookChallenge tag on Twitter and Tumblr or the comments here or on YouTube. And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…
Gods of Egypt has been a problem since the final casting was announced and people started petitions against it. And yet Lionsgate Films and the director chose to ignore people’s upset over a whitewashed Ancient Egypt pantheon of gods. And now their movie is a big, fat financial bomb.
Good.
Serves them right.
When reviewers got ahold of this movie they tore it to shreds. It has a 13% score on Rotten Tomatoes (up from 10% a couple of days ago. Progress!). Everyone with sense is saying this movie is not funny haha cult following bad, it’s horrendous.
The moment I walked out of a screening of Gods of Egypt, I set about building a massive throne out of human pelvises. I worked feverishly through the night, barely pausing to listen to the sounds of the city fracturing into seven brutal revels: a chainsaw maze, a great pit full of vengeful lobsters, a poisoned rave, and so on. As I climbed at last atop my pelvic majesty, I had a perfect view of the inundation of viscera that had turned the very streets into canals: For even if nobody else ever saw this movie, its very existence was enough to sunder every human relation for once and ever. There could be no language, no society, no kindness, after Gods of Egypt.
How did this happen? Why didn’t somebody involved with the creation of Gods of Egypt realize what they were setting in motion, and that this movie was not just bad, but obscenely, devastatingly bad?
There are so many wonderfully funny bits in this review that I can’t quote them all. Here are a few more, but read the whole thing, please:
Gods of Egypt has been justly criticized for its policy of casting white people as almost all of its Egyptian characters—to the point where it might be the first movie whose director apologized months before it was released. But the casting is just one of the many problems that eat away at this movie, which seems to have fed slices of Egyptian cultural traditions into a typical Hollywood “Save the Cat Goddess” structure, to try and create something familiar and comfort-foody, with an exotic veneer.
…loosely based on Egyptian mythology, if the Egyptian gods were mostly white people who could turn into animal robots, sort of like Transformers.
…every few minutes, the movie asks us to care about stakes-raising weird ideas like …“Set has stolen the glowing blue brain of the only black person in the movie!”
…you don’t get the impression that any of the human characters actually worships these gods or considers them more than just oversized people with random powers.
But for the most part, Gods of Egypt feels like such an abdication of story, and such a bastardization of culture, that the only sane response is to abandon sanity, and enlist in the murder-police of the senseless new era.
Good.
Serves them right.
Some other reviewers also mentioned the whitewashing thing, but didn’t make it a central part of their review. Not like Scott Woods, who just went in with “Gods of Egypt is the most racist film ever“:
For the record, I’m going to spoil the shit out of this movie because a) you have no business seeing it even for free, and b) fuck this movie.
Gods of Egypt is the most racist film in the last one hundred years. It is the most diabolically conceived, politically incorrect, and unapologetically racist film since The Birth of a Nation (the 1915 white one, not the 2016 black one, and how cool is it that we have to clarify that now?). It is more racist than Song of the South and Soul Man, which is no small feat. It is more racist than Mississippi Burning, The Revenant, The Help and Dragonball Evolution. It is more racist than the eye-rolling Bringing Down the House and The Last Samurai. It manages to somehow be more racist than Blendedand Dances With Wolves. It is more racist than Dangerous Minds and its didn’t-bring-shit-to-the-party cousin, Freedom Writers. It is magically more racist than The Green Mile. It has unseated my standing favorite, The Lone Ranger, for most racist movie, and I thought Johnny Depp’s Tonto was going to get us to at least 2020.
Damn, son.
Here’s how Gods of Egypt beat the high score:
When you do something wrong and you don’t know any better, that’s a crime of ignorance. You don’t know or understand the ramifications of what you’re doing, or you’re too stupid to see how what you’re doing is wrong. Matchbox Twenty singer Rob Thomas joking that he drinks until he becomes a “black Australian” is a racist act borne out of his ignorance. He says he didn’t know about the history and politics of the association, fine, you’re ignorant (and racist). The KKK, on the other hand, is willfully ignorant. It is not a group of blissfully unknowing individuals. There is nothing accidental about their racism. They know that the things they do are uninformed and illegal and wrong. They just don’t care.
This is the way in which Gods of Egypt is racist: the filmmakers know that the film is wrong. Not historically inaccurate…flat-out wrong. They knew that people would gather and point out that it was wrong. They did not care that it was wrong. They made the film the way they wanted to make anyway.
And he’s not wrong. The director knew from jump what he intended to do. Perhaps he got a little worried at one point and called up Ridley Scott, who was in the final stages of filming another racist whitewashed epic set in Egypt, and asked “Should I abandon the idea of casting white people as leads in my movie?” and Scott probably said to him, “Nah, son. You can’t mount a film with that budget and say that your lead actor is Mohammad so-and-so from such-and-such.1”
You need to go read all of Scott Woods’ review/essay as well, as he breaks down all the reasons why the racism, the whitewashing, and even the token casting of one brown dude is a huge and serious problem2.
All of this is enough, really, to condemn Gods of Egypt for all time. And so I feel silly even mentioning this. But… it makes me mad that this movie messes up Egyptian mythology so badly.
Not even on the I’m Black And Ancient Egypt Is My Heritage level3. As a person who has studied mythology and other aspects of a few ancient cultures, it fills me with rage when media properties treat mythologies as interchangeable. The first time I saw the trailer for this trasheap of a movie, my second thought (after ‘goddamn whitewashing!’) was: Horus is not Odin, you douchcanoes.
After reading the plot summary on Wikipedia, I am even more enraged. Ra is not Odin, either (nor as terrible a father; what the hell). Set is not Hades. Hathor is not Aphrodite or Persephone. Horus IS NOT THOR FROM THE MCU. Egyptian Sphinxes do not tell riddles! The Egyptian afterlife is not Hell!
I think I discovered why all but one of the main characters in this movie are white. Because someone thinks that Egypt is in the suburb of Greece where the Norse gods come to visit on holiday4.
Honestly, Egyptian mythology and cosmology is far more complex and less straightforward than Greek mythology seems from the myths most people know. And attempts to make it straightforward and just like the myths we know result in crap like this. It could be cool for some movie to attempt to translate some of that complexity to the screen. For someone to use film to show how Egyptian spiritual conceptions were quite different from the other folks in nearby regions.
This is too much to hope for, I think. Especially in light of the fact that white Americans still put tattoos of Ganesha on their bodies because that’s rad, dude, and Hinduism is a living religion.
It’s only a small consolation that this movie is going to bomb and the studio has lost massive money and the bad reviews will chase the director for a while and maybe make him cry on his pillow at night. Too bad a slew of shit reviews and the loss of money won’t be enough to stem the tide of racist whitewashing in Hollywood.
Footnotes
This is based on Scott’s real life explanation of why he cast all white folks: “I can’t mount a film of this budget, where I have to rely on tax rebates in Spain, and say that my lead actor is Mohammad so-and-so from such-and-such. I’m just not going to get it financed. So the question doesn’t even come up.” I am not making this up. [⇧]
Don’t read the comments. Here, I’ll summarize them for you: Egyptians are not Africans and never have been and anyone who thinks Egypt had black people in it is stupid and arglebargleN-word. [⇧]
Which, to be honest, is not where my feelings about Ancient Egypt are based. I mean, since I don’t have the ~luxury~ of being able to trace my ancestry back to any specific location on the African continent, I embrace all ancient African knowledge, art, and culture as being part of my in general heritage as a human person whose near ancestors came from the place. But I don’t think my 10 times great-grandfather was a Pharaoh or anything. [⇧]
Imma stop all you BUT WHAT ABOUT THE PTOLEMYS folks right here. Because while there is a ton of cultural crossover between Egypt and Greece and Macedonia and other cultures in the region, it was the distant past people who we collectively call Greeks who were influenced by Egypt first. Also, I do not mean to imply that the Greek peoples are white, only that the Western perception of Greeks, or at least Ancient Greeks, as white, is what drives the nonsense behind Gods of Egypt. [⇧]
After many months away, the Tempest Challenge videos are back. I’m doing a bunch of new things around these videos this month and next, and the plan is to keep going on a regular basis for at least another year. I’ll need some help from you (yes, you!)–details on that to come.
Meantime, my latest challenge is Alaya Dawn Johnson’s Love is the Drug, a YA Mystery told from the perspective of a voice we don’t often see in fiction: an upper class black teen girl.
Would love to hear your thoughts on Love is the Drug on the #KTBookChallenge tag on Twitter and Tumblr or the comments here or on YouTube. And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…
Good news, bad news time. Good news: there’s a new JEMcast out! Bad news: I am not in this episode.
Cue weeping and rending of garments!
Never fear, Alex and Aleen did a great job. And even more good news for me: I didn’t have to watch “Music Is Magic” and suffer through all that bad animation. Wow, such terribad animation.
The JEMcast: Music Is Magic
More good news: I was on last week’s episode where we talked about “Aztec Enchantment.” A decent episode that managed to not be as offensive as the china episode. This is the measure we use for these things on the podcast.
There are some facepalmy moments of WTFness balanced out by moments that show the writer truly meant well, even while still coming from a place of privilege.
