Sunspot Jungle cover

Celebrating the Equinox (an excerpt from The Copper Scarab)

The autumn is upon us, and it’s time to celebrate the harvest and wave goodbye to summer ~sniff~. I try to mark the quarter days (equinoxes and solstices) with something special. And there is stuff to celebrate! Those of you who backed the Sunspot Jungle Kickstarter should be getting your hardback copies of the book very soon! The paperback and eBook editions will be out on December 1 (and are already up for pre-order!).

I have a story in volume 1, a reprint of my Pyramids and Punk tale The Copper Scarab. When I was writing it I had this vision of how I wanted the last section of the story to go. I knew the sphinx at Giza would be involved, but needed some other element to make it all click. I went poking through all my research files and found an article I’d saved talking about the connection between the sphinx and the eastern horizon and the timing of the inundation of the Nile (which is a plot point in the story) and everything fell right together into this passage below.

This is from the last section of the story but does not include the end. It’s minorly spoilery, but I doubt the reading of it would be “ruined” for you if you read this.

Excerpt: The Copper Scarab

In the darkness before dawn on the equinox, Khemetans who came from across the delta and White Fortress region gathered around the base of the Great Lioness. Their voices quiet, reverent; their bodies newly wet with water from the still anemic Nile. They sat with eyes trained on the eastern horizon. Like the giant stone Lion of the Horizon, their faces would greet the dawn directly on the day marking the beginning of the harvest season. Most of them tried not to think about how poor that harvest would be this year, just as last year, and possibly all the years to come. Instead, they waited for the life-giving rays of the sun to warm their skin and remind them of the first eternal truth: Everything changes, but the dawn always comes.

Half a shade after the sun disk pushed fully over the horizon, the Lioness seemed, impossibly, to shudder. Sounds emerged from under the ground that ricocheted around the still quiet crowd–vibrations that didn’t make sense.

They had begun to murmur when the copper scarab emerged from the sand between the stone paws, hissing and clicking and gleaming in the sunlight. The people’s silence held for one breath, two, before everyone reacted at once. Amatashteret watched from a short distance as some scrambled away in fear, some fell to their knees in shock or in reverence, and some ran to get a closer look. The engineers surrounded the scarab, lifting the copper wings to the right position and ensuring the steam pressure stayed at the right level. Once they gave the ready signal, she and the other chariot riders rolled past the machine, heading into the desert and upriver toward the capital.


Pre-order Sunspot Jungle to read the whole story.

background of books on a shelf in sepia tone with the words steampunk dollhouse on top

The Copper Scarab mentioned in the Steampunk Dollhouse podcast

Clockwork Cairo, the anthology where my first Pyramids and Punk story “The Copper Scarab” was published, hasn’t gotten many reviews. The few it has garnered are pretty positive on up to glowing, which makes me happy. Still, I was really glad when the person behind the Steampunk Dollhouse podcast (her nom de plume is Bluestocking and I am here for this) said they were going to devote an entire episode to the book.

You can listen to Episode 12 “Walk Like a Windup Egyptian” over on the Steampunk Dollhouse website or subscribe to the podcast. If you don’t want to hear a discussion about recent sexual harassment allegations in the steampunk community, you can skip to the 40 minute mark, which is where they start going through the book. Bluestocking devotes a few minutes to each story. If you haven’t read the book yet you’ll get a good sense of everything. Since my story is last she talks about it at the end. And hooo let me tell you all the blushing was going on once I got there.

Bluestocking loved the story and spoke highly of what I was trying to do with it. I haven’t been sure how steampunk fans were going to react to my milieu (I’m using many French words today), so it was a happy surprise to find that she enjoyed the story in part because it’s not “Anglo at all” as she put it. She also compared me favorably to Ken Liu and therefore is now my favorite person.

If you haven’t bought the anthology yet but do like steampunk, have a listen. It may inspire you to grab a copy.

Cover for the Sunspot Jungle next to text from the backer reward level

Get a mini Writing the Other class if you back the Sunspot Jungle anthology

Rosarium Publishing is celebrating 5 years of existence with a mega anthology called Sunspot Jungle. Two volumes, over 100 stories, and authors from all over the world. If you don’t know about Rosarium and what they publish, this anthology will be an excellent introduction to the kind of press they are. Later this year volume 1 will come out in eBook format1 and volume 2 will follow in 2019. However, if you want a hardback version of the books you need to back the Kickstarter campaign going on right now.

The campaign only has a few days to go and is so close to its goal! I’m here to urge you to back it by talking up my contribution to the Kickstarter. Back it for $200 or more and you can choose an intimate Writing the Other class as your backer reward. There are only four spots in this tiny class available and, as of right now, two are already spoken for. Here’s why should you scoop up one of the other two:

Nisi and I charge $300 – $425 for the various versions of the full Writing the Other classes. Back Sunspot Jungle for $200 and you get the whole class. Plus, you and the other backers can choose your format — weekend intensive, 2 week intensive, somewhere in between… not the 6 week version, though — and the date/times the class will run. Big bonus: you only have to be in the class with a max of 3 other people.

If you’ve been wanting to take a Writing the Other class but have held back due to timing, due to price, due to being nervous about messing up in front of a bunch of strangers, this mini class is perfect for you and only available for a limited time.

Plus, you get two big books full of amazing fiction. Rading fiction by the authors in this table of contents is something Nisi and I recommend to our students, anyway. You’d already be on the path to greatness!

If this sounds good to you, go on over to the Sunspot Jungle Kickstarter, scroll down until you see WRITING THE OTHER course, hover your mouse over it, and click Select This Reward. Easy!


Footnotes

  1. I’m in this volume! []
Pyramids and Punk

Watch The #PyramidsAndPunk Reading from Surel’s Place

My month long residency at Surel’s Place is almost over, and on Thursday it was time for me to show off my work for the local Boise artist community. I read from three of my works set in AfroRetroFuturist Ancient Egypt — The Copper Scarab, the current novel in progress, and a short story in progress — all set in different times about 100 years apart. At the end I also took questions from the most excellent audience, who braved the cold to see me.

I livestreamed the event and trimmed the finished video so the boring parts are all gone.

If you enjoy the reading, you can support ore of the same either by becoming my patron on Patreon or by contributing to my Trip To Egypt crowdfunding campaign. With both, you can read more of the work in progress (depending on what level you donate) as I go.

A stack of Clockwork cairo books

Story Notes: The Copper Scarab (in Clockwork Cairo)

Clockwork Cairo is officially out in the world! An anthology of steampunk stories on an Egyptian theme. It’s as if it was made for me. And I’m so grateful for Matt Bright’s patience in allowing me to submit a story at the last minute AND a little late. (Story of my life.)

I didn’t find out about the anthology until Matthew was almost done picking stories for it. And once I saw the theme, I knew I needed to be in it. I told him I’d write a story set in the world of my novel and then… spent a week not knowing what to write about. My ideas were only vague and, I felt, uninteresting.

Fortunately for me, I have smart and talented friends. Mary Robinette Kowal gave me her worksheet for creating short stories, and it starts with coming up with characters, who then have desires, whose desires collide with other characters’ desires, which makes for a story.

Beyond me thinking that my ideas for stories were too vague and/or uninteresting, I also got hung up where I often get hung up (so you’d think I’d recognize this as something not to get hung up on…), which is trying to adhere to the details of a sketched out idea instead of giving myself room to change and explore. In this case, the ideas I was trying to hold on to had to do with how the copper scarabs came into existence in my world.

NOTE: There are mild spoilers for the story below. Proceed with caution. Continue reading “Story Notes: The Copper Scarab (in Clockwork Cairo)”

The Copper Scarab

Coming Soon: Clockwork Cairo

There’s a new steampunk anthology in town, and this one has a theme close to my heart: steampunk stories with an Egyptian theme. It’s called Clockwork Cairo and it’s coming out in May from TwoPenny Press. The antho features my first original short story in a long while: The Copper Scarab. It’s set in the same world as the steampunk Ancient Egypt novel I’m writing.

The art above is the frontispiece to the story and I am super excited about it. My first story art!

You can pre-order the anthology right now. If you’re curious about the story, I posted the opening over on my Patreon page (for patrons only). You can also hear me read from it at AnomalyCon!