Martha Jones in the TARDIS saying This is me getting out

Martha Jones: Fangirl Blues (from Chicks Dig Time Lords)

Martha Jones: Fangirl Blues (from Chicks Dig Time Lords)

Doctor Who is once again bringing in a woman of color as a companion. I haven’t watched the show regularly since Clara came on board, so I’m not as up with what’s going on. But author Na’amen Gobert Tilahun tweeted a link to a post on io9 with the headline “Doctor Who teaser shows new companion is cool with dying for the Doctor, and she might.” which… well, read this whole thread for thoughts similar to mine about all that.

Given these developments, I thought it would be a good time to post this essay online for all to read. It appeared in Chicks Dig Time Lords, a book you should read if you love Doctor Who.

Martha Jones: Fangirl Blues

When you’re a fan of Doctor Who, there are two discussions you’re bound to have with other fans, no matter what the setting: “Who is your favorite Doctor?” and “Who is your favorite companion?” Most people don’t make assumptions about my choice in the first category (Nine, by the way), but almost always assume that my choice for the second is Martha Jones. They assume this because I’m a Black woman. I find that annoying for reasons you may well imagine. The main one being that Martha is my favorite, but not just because she’s Black.

When the announcement came that Freema Agyeman would be the next companion, I was happy that there would be another companion who was also a person of color. Unlike some fans, I do count Mickey as a companion and I also count Chang Lee from the (admittedly horrible) American Doctor Who movie. But Freema would be the first on-screen “main” companion of color.

This kind of thing means a lot to me, but it didn’t mean that I’d automatically like the character or even prefer her over others. It remained to be seen if Martha Jones was made of awesome or just another stereotype.

The answer turned out to be a complex mix of both, with much of the blame lying with the show’s creators and writers, and much of the success attributable to the actress.

Made of Awesome…

The writers did many things right in introducing Martha. The character was impressive in her very first episode, but it was a bit of dialogue in the second that sealed the deal for me. In “The Shakespeare Code,” Martha steps out of the TARDIS and into the past. The Doctor is going on about similarities between Elizabethan London and her own when Martha asks a question that I’m sure many black fans had in the back of their mind:

Martha: Am I all right? I’m not going to get carted off as a slave, am I?

The Doctor (look of utter bewilderment on his face): Why would they do that?

Martha: Not exactly white,‘case you haven’t noticed.

The Doctor: I’m not even human. Just walk about like you own the place. Works for me.

Though the Doctor blows off the question, I believe my first reaction to that line was thank you. If I was traveling in the past, that would have been one of my chief concerns, too.

This is indicative of everything that made me love Martha from the beginning. When her hospital gets transferred to the moon in “Smith and Jones,” Martha doesn’t panic, logically deduces that the windows can be opened, and, when asked by the Doctor who she thinks is responsible for transporting the hospital, she immediately answers: extra-terrestrials. This was a very pointed way for the show’s creators to indicate that Martha was a companion worthy of the Doctor[1]

Another thing I liked about Martha was her willingness to stand up to the Doctor and tell him off when it was clear he needed it. Badly. At the end of “Gridlock,” she forces him to stop being oblique about himself. As things began to go south in “The Sound of Drums,” she refuses to simply follow his orders and puts her concern for her family over his priorities. In “The Sontaran Stratagem,” she won’t let him make her feel guilty for being part of UNIT operations that involve guns (as if there are any other kind).

I love that even before Martha met the Doctor, she was already clever and competent and doing something with her life. She didn’t need him to help her escape from a mediocre existence, she didn’t need him to blossom into an extraordinary person. That she did grow due to their travels is a bonus, but because she came from a solid foundation, she was better able to walk away from the Doctor when she needed to. The scene where Martha left the TARDIS was the perfect end to that season, especially given all the crap she had to endure while inside it.

moving image of Martha Jones leaving the TARDIS

Just Another Stereotype…

Though Martha is a great character, there were several choices the show’s creators made that diminished my enjoyment of the episodes where she appeared. Some have to do with her interactions with the Doctor, but most have to do with some troubling attitudes toward race and the introduction of a heinous stereotype.

Within the show’s continuity, Martha meets the Doctor a short while after Rose was accidentally sucked into an alternate dimension and trapped there. The Doctor is still mourning Rose, which is natural, and he constantly reminds Martha that she is not as good as Rose, which is a punk move. I often bemoan the fact that the Doctor is a huge jerk, despite being the hero of the show[2]. In Series Three, this quality is often on display when he interacts with Martha.

He screams at her (“Utopia”), treats her like second best (“The Shakespeare Code”), hides important information from her (“The Sound of Drums”), lies to her (“Gridlock”) and strings her along as regards how long she can travel with him (“The Lazarus Experiment”). This can be explained away by the whole Jerk thing–it’s part of canon, after all, that the Doctor can be nasty and mean just as easily as he is heroic and kind–but what cannot be explained away is why he treats her so differently than almost every female companion he’s come across since his ninth incarnation.

Though it can be infuriating and infantilizing, the Doctor tends to treat his female companions as damsels in distress. Rose gained some agency by the end, but there was only one time[3] in her tenure on the show when the Doctor blithely disregarded her safety and well-being in favor of whatever dangers were going on around them or other people. Donna, abrasive as she is, still gets the damsel treatment, though she often chafes against it. Astrid (“Voyage of the Damned”) definitely fits into the damsel profile.

Martha gets to play a different stereotype: that of the Mammy.

In her July 2, 2007 post in the LiveJournal community lifeonmartha, blogger Mikki Kendall laid out many of the problematic racial and sexist elements that cropped up during Series Three. She noted that the damsel stereotype is more often applied to white, female characters and that, “Damsels are always desirable, no matter how much ass they kick (or don’t) and nothing they do makes them unworthy of love or protection.” However, black women on television are often only given three choices: Mammy, Jezebel or Sapphire (a “nagging shrew constantly emasculating a weak black man,” as defined in the post). Martha flirts or pines after a couple of men, including the Doctor, but she isn’t wantonly sexual, so she doesn’t fit Jezebel. But she most certainly fits the Mammy stereotype, which is also closely associated with the Strong Black Woman stereotype. Kendall laid it out perfectly by saying: “[Martha] is supposed to be willing to sacrifice everything to protect the ones that can actually do some good.”

The first, and probably most annoying, example of this is in “Human Nature/The Family of Blood,” wherein Martha literally works as a maid for the Doctor who is disguised as a human in 1913 England. What I find most interesting about this episode is that it’s based on a Doctor Who novel, Human Nature, which was originally written with the seventh Doctor and a white companion. In the novel, the companion poses as the Doctor’s niece. Obviously, in the adaptation to television, this detail needed to be changed. But the nature of that change is troubling, especially for a black, female viewer such as myself.

From an in-series perspective, one wonders why the TARDIS chose an era which necessitated Martha having to play the part of a maid surrounded by people who would most certainly be horribly prejudiced toward her. Or why the Doctor didn’t offer it some guidance for eras of history perhaps best left alone. Imagine if they’d ended up in the American South just before the Civil War. From an outside perspective, one wonders why the show’s creators didn’t see this as a real problem. Of course, the disparity between Martha’s situation in 1913 and what she can achieve and be in 2007 is acknowledged within the script. That doesn’t absolve the creators of a sketchy thought process, though. I wish that they had waited to produce this episode with a different companion. Beyond this aspect, it’s one of the best in the series[4]

We again see Martha playing Mammy in “Blink,” where it’s revealed that she has to work in a shop in order to support the Doctor while he, supposedly, works on getting them home. The burden of being the care-taker falls on her again. Why the Doctor can’t also get a job is never explained. Nor why a highly educated person such as Martha would end up in a shop, a career path often held up in the Whoniverse as being highly undesirable and something to escape from (“Rose,” “World War Three,” “The Parting of the Ways”). It may be that Martha couldn’t get anything else due to her race or gender. If so, we have another instance of the creators putting Martha in a setting where she’s not allowed the same level of respect and autonomy, for no good reason. Then in “The Sound of Drums,” Martha is the one who has to brave being caught by the police to get food for the Doctor and Jack while they’re on the run. I also have to wonder if the Doctor would have asked Rose to wander the world, spreading the gospel about him, as he did Martha (“The Sound of Drums/Last of the Time Lords”).

It’s a troubling trend, both seen within the context of the show and from without. This is the kind of thing that people of color often fear when one of us is included on mainstream television–there’s a community called deadbrowalking on LiveJournal for a reason[5]. For all that is awesome about Martha Jones, my enjoyment of her tenure on Doctor Who was marred by the subtle current of racism and sexism that runs throughout.

I know from watching episodes of Doctor Who Confidential that the producers and directors are very impressed with Freema and call her a great leading lady for her ability to exude and give energy to everyone around her. She infuses Martha with this energy, plus confidence and intelligence. Though obviously the character was written with this intention, the wrong actress or the wrong attitude could have ruined it all. She wasn’t given the greatest material to work with, but she always appeared to approach episodes with an eye toward squeezing the best out of them. In the Confidential episode “Alter Ego” (companion to “Human Nature”), Freema talks about how the script touches on issues of racism and how great it is to play a character that overall doesn’t have limitations due to race or gender.

In many ways, she’s right. In another time, Freema would have been given the part of a maid as a matter of course instead of an ironic, if problematic, twist. Her recognition of this lends weight to her performance, not just in this pair of episodes but all of them.

The elements of Martha’s character, both positive and negative, could so easily have slipped into triteness. The unrequited love thread throughout Series Three annoyed me to the point of distraction in nearly every episode. A lesser actress would have allowed that aspect to overwhelm everything else about the character–who doesn’t love a love story? But Martha is more than just a woman in love with a man who doesn’t love back. Freema worked hard to bring out all the other, deeper things that make Martha who she is.

Forever Fangirl…

This is why, despite all of the issues I have with the show and the creators, I still love Martha. Hell, I still love Doctor Who. After all that, many might quite rightly ask: why? The troubling race stuff doesn’t begin or end with Martha. I’m not even an old school legacy fan–the first episode of Doctor Who I ever watched was “Rose.” So, why?

There’s no easy answer.

The very basic one is that I just love the show. I love it down to the bottom of my toes. The SF geek in me loves all the cool aliens and different cultures and new planets and fantastic ideas. And the running. The running is awesome. I still love adventure stories, and stories about good people triumphing over the badness in the universe.

Doctor Who is a complex show, especially when compared to most television. Even when it’s being an adventure or good vs. evil and all that, the core of the story isn’t necessarily simple or straightforward. The Doctor is a flawed, damaged, brilliant, dangerous alien. He’s also the hero. How can any show with such a character at the center of it be simple or straightforward?

Yes, the show’s creators make thoughtless mistakes and probably don’t understand why many of the issues I raised are problematic. They aren’t completely clueless, though. And they are trying–note the number of interracial couples on Doctor Who and Torchwood ((I do realize this is a contentious issue on its own. Even allowing that Martha and Mickey wound up married, somehow, many fans of color often wondered if the show creators knew that people of color sometimes dated and even married each other.)). There does appear to be an effort to show the future as multiracial, and to give characters of color a range of personalities from hero/heroine to villain/villainess and the many, many shades in between.

I love the universe that Doctor Who often shows me. I love the other companions–Rose and Mickey and Jack and Donna–and I even love the Doctor. Whatever the faults of the show’s creators, they obviously love Martha, too. And it helps that Freema is a great actress that breathed life into her. Good acting is often able to make up for defects in writing and execution.

So I keep watching. And hoping.

Hoping that the writers do away with both the damsel and the Mammy stereotype. Hoping that they will stop underutilizing Martha so criminally. Hoping that they will, by some miracle, begin to Get It.

Because, yes, Martha Jones is my favorite companion. She’s clever and brilliant and brave and amazing. She’s less needy and more independent than Rose and more faceted and less abrasive than Donna. I want to see her treated better by all involved. She deserves to be only awesome and more than just another stereotype.

Footnotes

  1. Compare her to Donna in “The Runaway Bride” (who was always away on vacation when major alien events happened and was therefore ignorant–or just in denial–of them), and Gwen in the Torchwood episode “Everything Changes” (who knows about the incidents but denies that any of them were real).[]
  2. See my essay “The Lonely God is a Jerk” at Fantasy Magazine[]
  3. “The Girl in the Fireplace” where the Doctor essentially abandons Rose in the future in order to save Reinette, which makes no sense given the history of the characters.[]
  4. It’s worth noting here that several years after I wrote this essay I ended up having a conversation with the episode’s writer, Paul Cornell on the blog. It was very illuminating and adds to an understanding of where he was coming from and how his intention didn’t match up with the outcome.[]
  5. Might not be there, anymore.[]

I’m A Chick Who Likes To Unravel Time

Chicks Unravel Time cover
click me for a bigger version

I’ve dropped hints about this for a while, but now it’s official and on the record! I have an essay in the forthcoming Chicks Unravel Time, a follow up to the Hugo Award-winning Chicks Dig Time Lords. Woot! This is my last essay for books from Mad Norwegian Press, so I’m really glad it will be in such an awesome book.

This one is different to the first in that editors Deborah Stanish and L M Myles asked each contributor to consider a specific series of Doctor Who and to explore it in any way we liked. So, not every essay could be classed as “a celebration”, but they’re all written by women who clearly love Doctor Who and who have intelligent and deep thoughts on the show.

Also, the cover art is awesome! Katy Shuttleworth once again being all badass.

Here’s the full table of contents so you can get a taste of what everyone is talking about:

  • Regeneration – Shaping the Road Ahead by Barbara Hambly
  • The Doctor’s Balls by Diana Gabaldon
  • A Dance With Drashigs by Emma Nichols
  • No Competition by Una McCormack
  • Identity Crisis by L.M. Myles
  • The Still Point by Anna Bratton
  • For the Love of Tom by Sarah Lotz
  • Donna Noble Saves the Universe by Martha Wells
  • I’m From the TARDIS, and I’m Here to Help You: Barbara Wright and the Limits of Intervention by Joan Frances Turner
  • I Robot, You Sarah Jane: Sexual Politics in Robot by Kaite Welsh
  • Between Now and Now by Juliet E. McKenna
  • What Would Romana Do? by Lara J. Scott
  • The Women We Don’t See by K. Tempest Bradford
  • The Ultimate Sixth by Tansy Rayner Roberts
  • Maids and Masters: The Distribution of Power in Doctor Who Series Three by Courtney Stoker
  • Robots, Orientalism and Yellowface: Minorities in the Fourteenth Season of Doctor Who by Aliette de Bodard
  • David Tennant’s Bum by Laura Mead
  • Superficial Depth?: Spirituality in Season Eleven by Caroline Symcox
  • The Problem With Peri by Jennifer Pelland
  • All of Gallifrey’s a Stage: The Doctor in Adolescence by Teresa Jusino
  • All the Way Out to the Stars by Iona Sharma
  • Build High for Happiness! by Lynne M. Thomas
  • Nimons are Forever by Liz Barr
  • Ace Through the Looking Glass by Elisabeth Bolton-Gabrielsen
  • Hey, You Got Science in My Fiction! by Laura McCullough
  • Seven to Doomsday: The Non-Domestication  of Earthbound Doctor Who in Season Seven by Mags Halliday
  • Harking Back and Moving On by Jenni Hughes
  • Anything Goes by Deborah Stanish
  • How the Cold War Killed the Fifth Doctor by Erica McGillivray
  • Waiting for the Doctor: The Women of Series Five by Seanan McGuire
  • Timing Malfunction: Television Movie + the BBC Eighth Doctor Novels = A Respectable Series by Kelly Hale
  • Guten Tag, Hitler by Rachel Swirsky
  • Reversing Polarities: The Doctor, the Master and False Binaries in Season Eight by Amal El-Mohtar

There’s one essay for each series of the show, classic and current, plus the TV movie.

My essay is about Series 13. When Deb first asked me to be in the book and told me the premise, I loved the idea right away. I let her pick a series for me since I’m not very familiar with classic Who and she hoped to get some fresh perspectives on the older stuff.

At the time, the series I would have chosen for myself is #3 of the modern era. Deb rightly pointed out that my CDTL essay was pretty much an exploration of Series 3 through the lens of my love for Martha. The only other series I have many FEELS about is #4. After that my ability to deal with Doctor Who flies out the window.

The choice of Season 13 ended up being a good one. Tom Baker’s Doctor is the only one of the classics I’m familiar with. I’ve seen some of Series 12 and a few of his adventures with Romana. But I came into #13 fresh.

I won’t spoil the essay for you, but I will say that I was a little surprised at some of the things I found there, despite knowing in advance that I would see some problematic stuff. What I found very interesting, and only touched on a bit in the essay, was how much of new Doctor Who I saw in those old episodes. I can tell that some writers have been influenced by those episodes for good and for bad.

I now also have a full appreciation for how eye-roll worthy it is that the Doctor’s race is called the Time Lords, as if there are only men running around on Gallifrey. This plays out in interesting way during this series.

Chicks Unravel Time is out on November 13th, and you’d better believe that I’m going to remind you several times before the actual day. I should also note here that it’s almost a 100% done deal that I’m attending Chicago TARDIS over Thanksgiving weekend so I can take part in the panel about the book! I’m just waiting to see if I can get a press pass.

Until then, pre-order and spread the news!

Let’s Talk About Human Nature

Let's Talk About Human Nature

Specifically, the Doctor Who series 3 episodes “Human Nature/The Family of Blood”.

Those of you who read my Chicks Dig Time Lords essay know a bit about how I feel about this episode, specifically Martha in this episode, but I’ll give a small bit of explanation and background for those who don’t.

In this two-parter, the Doctor runs away from the Family because they want to capture him and feed off of his Time Lord essence. So he hides the Time Lord bit of him in a watch (aided by the TARDIS) and hen goes to live as a normal human for a bit so that they can’t find him. The species the Family belongs to apparently have a short lifespan, so the Doctor knows if he can just wait them out in hiding, they will eventually die.

So the Doctor becomes human and hides out in pre-WWI Britain as a teacher in a rich boys school. Martha is his companion, so she has to hide out, too. So she gets to be his maid. Since he brought her along with him to this job as a teacher (I think the explanation was that she was his family’s maid) she focuses most of her energy on caring for him, but is also made to do work around the school. At one point we see her cleaning floors with another maid she’s become friends with.

Then, of course, the Family shows up, stuff happens, big adventure[1].

I have a lot of problems with this episode.

  • For a long time I wondered what possible justification the Doctor had for taking Martha to this time period and this place on earth when he had, oh all of time and space to choose from?
  • People have pointed out that the Doctor did not choose the time and place, the TARDIS dd. Well, TARDIS: wtf? Still not okay[2].
  • It’s yet another example in a long list of examples where Martha is put into the Mammy role. I might have let it slide except it happens so often it’s a damn theme, and that’s really problematic.

There are a lot of different strings tying this all together. To start, this episode was based on a Doctor Who novel written by the dude who also wrote the script: Paul Cornell. Apparently RTD liked the book so much he asked Cornell to make an episode of it. But the book was written some time ago starring a different incarnation of the Doctor with a different (white) companion. And thus the companion’s role was very different in the book.

By doing this episode during season 3 Cornell and the creative team introduced a tricky element that wasn’t in the original. They did address race more than once, and that’s good. But they only addressed race in the more surface, basic ways while letting other deeper issues stand.

This is more complicated by the fact that I really like the episode overall. It’s well-written and the story itself is interesting and the dilemma the Doctor faces in the end is crunchy and thought-provoking. I’ve found myself wishing many times since watching it that they’d done this episode with a different companion, because obviously there just wasn’t enough deep thought about race to do it the way they did without being super problematic. Or, that’s the way it seems from the result.

So what precipitated this post? Over on Tumblr I reblogged something from Karnythia about this ep where people expressed their frustration with it. It’s the part where the nurse that the Human!Doctor has fallen in love with is talking to Martha, who reveals she is a (medical) doctor. The woman then says: “Women might train to be doctors, but hardly a scivvy and hardly one of your colour.”  Karnythia points out:

“Black women had been training to be doctors in the UK & the US for almost 40 years at this point. Were there a lot of them? No. But there was a lot of coverage of the ones who did succeed. If she knew women were training to be doctors, then she knew some of them were women of color.”

Perhaps she would have, but the writer and the creative team apparently did not[3].

That gives me a whole other reason to be mad at this episode.

As I said in my Chicks piece, I don’t think anyone was being intentionally racist here and it’s clear that some thought was given to race when they decided to do these episodes with Martha. That’s a good thing. But when you’re dealing with something as thorny as this, you can’t just put some thought into race. And as many people have pointed out, there is all kinds of just on the surface or just under the surface problems with race in the new Doctor Who[4].

These episodes are a source of great rage because of the lack of deep thought about race. For me, the rage is informed by that and by the knowledge that it could be such a good episode if not for this stuff.

And it all makes me realize I need top hop on getting this book started with Karnythia.

Footnotes

  1. If you want a full synopsis, check Wikipedia.[]
  2. In the world of the show that is bad enough. But I find it to be handwavy and bull on the part of the writer/creators/whoever came up with this idea. It looks like they’re trying to absolve the Doctor of responsibility here, and that’s a dick way to do so. Plus, it doesn’t fly for the TARDIS, either, as it’s been well established by this point that it has a consciousness, too.[]
  3. Or there’s another explanation. I think we may find out.[]
  4. The classic episodes, too, of course.[]

And Now For Something Completely Awesome

And Now For Something Completely Awesome

Hugo Award nominations were announced yesterday and this shiny book got a nod in the Best Related Work Category:

That’s right! Chicks Dig Time Lords is a Hugo nominated work! I am so incredibly happy, yay!

And, if I am allowed to say: well deserved! Lynne and Tara put together a really solid lineup and the fan response has been overwhelmingly positive. I hope that remains the case as Hugo voting commences :)

On equally happy notes, I see a lot of friends scattered throughout the nominations, but I wanted to give a special shout out to fellow Altered Fluidians N. K. Jemisin and Saladin Ahmed. Ms. Jemisin’s first book, The Hundred Thousand Kingdoms, is on the best novel list and Mr. Ahmed is up for the Not A Hugo Campbell award for best new writer.

I posted the whole list over on the ABW and noted that there are quite a few women on the list, more POC than I’m used to seeing, and many “new” or young writers, which is an achievement for the Hugos. Can’t wait to see how the winners balance out on these fronts.

WisCon by the Twitters: Chicks Dig Time Lords

These are the tweets I could find associated with Friday’s Chicks Dig Time Lords panel at WisCon 34. It was a lot of fun talking about Doctor Who with such fine people, and Twitter can only capture part of it:

@tinytempest “I was seduced into Doctor Who fandom by a really cute boy” says @lynnemthomas

@rhiannonrevolts Asking me who my Doctor is…hard. Ten IS me, but I love others.

@rhiannonrevolts Really agreeing with @tinytempest about companions. Martha Jones saves the world!

@yamainu “Our fandom is bigger on the inside.” heard at Doctor Who panel.

@rhiannonrevolts RTD is going to get smacked by @tinytempest and I will laugh.

@charliejane i wanna watch! RT @rhiannonrevolts: RTD is going to get smacked by @tinytempest and I will laugh.

@rhiannonrevolts Martha Jones’ feelings for the Doctor were handled wrong, says @lynnemthomas and I agree.

@tinytempest “What’s the Tom Baker episode where he fellates an alien?”

@rhiannonrevolts RTD and teh Moff really have issues with women.

5 Links Make Up for Radio Silence

I know you all think I’ve dropped off the face of the Earth. Maybe what I need to do is promise a post a day with interesting links. That would at least be something.

  1. Today at Tor.com you can see the latest installment of Tech News For Nerds, a weekly thing I’m doing over that way. This one is all about cell phones and wireless technologies. Netbook fans should take special note of the smartbook section.
  2. My dear friend John Klima is raising money for a new genre magazine showcasing underrepresented cultures. Go vote for his idea and help him win $25K to get started. (Yes, you need money to start a magazine, people. And John is good at it.) It’s a great way to stick it to Norman Spinrad.
  3. Did you know that I’m in an ultra-cool non-fic anthology called Chicks Dig Time Lords? I so am. It’s such an amazing book and filled with all kinds of smart writers and fans and actors and Doctor Who goodness. Women talking about their fan experience across time (and space) and being very smart about what they love and don’t love about the show and fandom. I, of course, wrote a controversial essay on Martha Jones. I know Paul Cornell has the book, I just hope he doesn’t hate me for what I said about Human Nature. Go buy Chicks Dig Time Lords right now and then go listen to the podcast of Hour of the Wolf featuring several contributors and read about our shenanigans the night before.
  4. Speaking of books, remember the list of eReaders I said people should be on the lookout for? Several of them now have full reviews, including the Alex eReader, which is my favorite. If anyone asked me right now which eReader they should buy, I would say the Alex without hesitation. The list of other eReaders is on Tor.com as well.
  5. This weekend I watched the BBC miniseries Lost in Austen and have the following things to say about it: (a) When did it become okay to present fanfic as legitimate television? (b) Does the BBC have only 20 actors? Because I have seen a third of this cast on every show I’ve watched. (c) After the clusterfuck that was Hex, Jemima Rooper and Christina Cole shouldn’t be allowed on screen together again nor should they be allowed psuedo-lesbian encounters because they wouldn’t give them to us on that horrendous show. (d) Jemima is awfully hot. (e) Judging from the 700+ comments for this movie on Netflix, I’d have to say that it’s successful insofaras it’s made people feel strongly that it’s the best thing ever or a piece of crap. (f) Where can I get a job writing badfic for money?

Now back to my regularly scheduled seclusion.

Calling Everyone Who Digs Time Lords

chicksdigI know, I KNOW. I am horrendously late informing you of this event. I cannot explain myself except to say that I have been horrendously busy and thought I’d done at least some of this promotion before now. I suck.

But you’re not doing anything important on Friday night, so please come:

The Chicks Dig Time Lords anthology is a celebration of Doctor Who from the perspective of female fans. Join us as we read our essays, talk smack about the Doctors we love (and hate), the compaions we cheer for (and hate), and the Whoniverse we adore.

Contributors Catherynne M Valente, Franesca Coppa, Deborah Standish, and K. Tempest Bradford will be there along with cover artist and Torchwood Babiez co-creator Katy Shuttleworth.