Tempest Challenge #16: Archangel by Marguerite Reed & Elysium by Jennifer Marie Brissett

Took a long hiatus, sorry! I wanted to get out the last of the Wisdom from WisCon suggestions. This week’s books feature characters that AREN’T isolated from their families and communities, plus gorgeous writing and awesome covers.

This week’s challengers: Margurite Reed and Gretchen T of A Room of One’s Own bookstore.

And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…

Buy Archangel (The Chronicles of Ubastis) by Marguerite Reed from A Room of One’s OwnPowell’s, or Amazon; or Elysium by Jennifer Marie Brissett from A Room of One’s OwnPowell’s, or Amazon.

New Class: Short Fiction Workshop at the Brainery, Fall 2015

I’m one of the teachers for the Brainery’s short fiction workshop this semester! Check it:

This course is an intense practicum in speculative fiction writing and students can expect a traditional graduate-level fiction workshop, concentrating on understanding and implementing the various aspects of speculative fiction. These aspects include craft issues such as characterization, point of view, narrative structure, style, and voice. Although this class is designed with a flexible schedule in mind, students are expected to commit to the same standards as expected of graduate-level creative writing courses, including: deadlines, feedback, and accountability.

Click here for all the details, including price. With this class you not only get a workshop, but Master Class roundtable sessions with Ken Liu and Amal El-Mohtar, two of my favorite writers.

The 6 Elements Of A Good Author Website

The other day on Twitter Sofia Samatar laid down some truth:

Yes. All the yesses. +1, co-sign.

Every author should have a website, even if you’re just beginning and have only one thing published. Heck, even before you have things published. You should always take as much control over your online presence as you can. That starts with having a good website[1].

Having a good, clear, professional-looking website does not require a lot of technical knowledge, a lot of money, and a lot of maintenance. But if you’re not very technically inclined and feel intimidated by creating a website, there are people who are happy to help you. Some will do so for free, some for a small fee, and some who are pros and charge pro rates. But before we get into that, let’s break down what an author website should have on it.

The six elements you need:

  • Homepage
  • Blog
  • About
  • Publication List
  • Events page*
  • Contact

Homepage

With many author sites it’s a good idea for this to be a static page. Yes, my homepage is my blog. I regret this decision! Especially now that I don’t blog here as much. I’ll likely change it soon. Having a static page allows you to highlight what’s new–such as a new book or story–and give an at-a-glance view to your visitors to the important info about you and serve as a portal to the rest of the site plus other important sites[2]. This is where you’ll list the social networks you’re on and your profiles on Amazon, Goodreads, etc.

Blog

BUT I DON’T WANT TO BLOG you might be screaming right now. That’s fine. Just because I say you should include a blog it doesn’t mean you have to update that blog every day or hour. You don’t even need to call that section Blog. You can call it News, Announcements, or something similar. The purpose of this section is for you to have an easily updatable place to put the kind of news and info readers like. Not just when your book is published, but when it gets a nice review, when it’s nominated for or wins an award, if you’re interviewed or otherwise mentioned in the press, pictures from your book signings or other appearances, when you publish a new story, when you start selling merch, or whatever.

Of course, if you want to have a traditional blog, even better. But don’t feel compelled to make your blog section an online journal if that’s not your speed.

About

In addition to talking about yourself and your amazing work, your About page should contain or have links to your official bio (I have a public Google Doc with a long and short version), your official photos (link to the hi-res versions of images, don’t embed them) and photo credits, and hi-res versions of your book covers. This makes it really easy for folks to grab this info without you having to search it out each time.

This is also the place to list your social network and other profiles.

Publication List

This one is self-explanatory. The only thing I’ll suggest here is that you make it attractive! However, a simple list with links is fine, too.

Events Page

This one had a star next to it because it’s only really necessary if you make a lot of personal appearances and do many signings. Those who’ve published a book will need this section, maybe not if you’re just publishing short stories at the moment. In that case, the announcements on your blog should suffice, just be sure you have a blog category called Events or something like that so they’re easy to find.

There are lots of ways to maintain an Events page and I have no particular best practices. Check out what other authors do for ideas. I do suggest including info on this page on how people can request to book you for events, signings, and the like.

Contact

Always have a way for people to contact you! Always. I prefer to have contact forms because then no one is getting your actual email address unless you email them back. And it cuts down on spam. And if you don’t mind if fans ping you on social media, mention that here, too.

I Am Not Tech-Savvy And Can’t Make My Own Website

That’s okay! There are several options below for creating a website easily without needing technical acumen. But if you still feel nervous about it, there are people who will help you. Some for free, some will charge a fee.

I used to design websites for a living. I don’t anymore, but I still set up WordPress for folks who need it because, for me, it’s simple and doesn’t take much time. If you really need an author website and have $75, I will set it up for you on WordPress.com and walk you through the basics and show you how to update it on your own.

If you need a more complex website, or want an installation on your own host (explained below) and a customized design, there are other folks who can help you. My friends Stephanie Leary and Jeremy Tolbert are both WordPress experts and make beautiful sites. They charge pro rates. They are worth it.

If you’re a person willing to help authors create simple websites for free or for a fee, scroll down to the comments and let us know! Please say whether you work for free or charge and include a link to your website or portfolio.

What Should I Use To Make My Website?

I always suggest that people use WordPress to make author websites. WP is a blogging platform, but it’s easily used as a whole site management tool. It makes updating simple, and you can get a nice look without knowing any code. It’s also free. You can set up a site on WordPress.com or get your own hosting and set it up on your server for free.

There are other options, such as drag and drop site builders on SquareSpace or similar. I’m not a huge fan of those, but as long as they allow you to have all the elements mentioned above with little fuss and at your level of technical comfort, go with what works for you.

I do not suggest using Blogger, because it sucks. LiveJournal and DreamWidth won’t work because they are mainly blogs with a little bit of functionality for static pages, but not enough.

Tumblr is a possibility because you can create static pages, add your own domain name, and mess around with themes enough to customize. However, I find it all really hard compared to WordPress and the resulting site not as functional or easy to maintain.

WordPress.com or Host It Myself?

If you want to set up a site completely for free, then you can go with WordPress.com. Someone on Twitter asked if a site URL like authorname.wordpress.com projected an unprofessional vibe. In my experience, not as much as authorname.blogspot.com or an AOL.com email address. It looks perfectly legit to be on the .com site.

If you’re still nervous about it, you can put your own domain on a WP.com site so it looks like authorname.com even though you’re still using WP.com on the backend. WordPress will sell you a domain name themselves, but it’s a bit less expensive to buy the domain elsewhere and pay the fee to attach it to your WP.com site. I use NameCheap where .com domains cost less than $11 a year.

The drawback with WordPress.com is that you have to use the WP themes they list[3], you can’t install one you just find somewhere. You’re also restricted to specific plugins. Plugins are awesome–they add extra functionality to WordPress and there are a handful I cannot live without.

For the most control over themes, plugins, and domains, you’ll need to get your own hosting account. My main advice here: DO NOT GET GODADDY. It’s just best to look elsewhere. I use MDD Hosting and pay less than $20 per month. There are tons of good hosting options out there–ask for suggestions on social media if you don’t already know of a company. And always read the reviews before you sign up.

Not sure if you need a hosted site or can just stick to WP.com? Start out on WP.com. You can migrate everything, including comments and images, over to a hosted WordPress installation later if you decide to switch. The process is easy.

You Need A Good, Clear Website Of Your Own

You don’t need to spend any money to get one started, you don’t need to spend a lot of money to get the little extras that make it feel even more professional, and you don’t need to know anything about code to create and maintain it. If you need help, help is available. If you have questions, ask. Let there be no barriers to you having a good, clear website.

Footnotes

  1. After you have a website, the next step is to create profiles on high profile social networks and other author-related websites so that you can craft your Google search results the way you want to. But that’s a different post….[]
  2. If you want an example of a site with a static front page, look at this other site I built[]
  3. These days there are way more good-looking themes than there were when I moved away from WP.com. For author sites, I suggest checking out Satellite, Writr, Fictive, and Wilson. There are many more free themes to choose from.[]

New Class: Writing the Other Online – Fall 2015

Writing the Other Online Fall 2015 will take place from September 26th to October 31st weekly on Saturdays at 10am Pacific
Location: ONLINE via Google Hangout
Price: $450 + service fee
Registration begins: August 26th, 2015

Writers know that it’s important to write about characters whose gender, sexual orientation, religion, racial heritage, or other aspect of identity differs from their own. But many are afraid to do so for fear that they will get it wrong–horribly, offensively wrong–and think it is better not even to try.

In truth, as author Daniel Jose Older puts it, when writers create characters from backgrounds different than their own, they are really telling the deeper story of their own perception. It is possible to write the Other sensitively and convincingly, and this workshop can start you on the path to doing just that.

Drawing on and updating decades-old work by Nisi Shawl and Cynthia Ward, authors of the acclaimed reference “Writing the Other: A Practical Approach”, this six week online course delves deep into learning this sometimes tricky skill. Authors Nisi Shawl and K. Tempest Bradford will combine lectures, discussions, and writing exercises in a safe, supportive atmosphere.

The class is appropriate for all writers (fiction, plays, comics, screenplays, and games included) from all backgrounds and any skill level.

Miss this class? Sign up for our mailing list to get notifications when we give it again.

I Challenge You To Support and Signal-Boost Marginalized Voices

Rise Together

If you’re not a person who follows news about gaming or gamers, you might have missed a thing that happened. Tauriq Moosa, a media critic, left social media due to sustained harassment over something he wrote on the Internet. Yesterday, Moosa wrote something else that I want you to read. I’m quoting extensively. Still, read the whole thing.

Lots of folks are trying to show me support. I really appreciate it, but what I would appreciate it more if you took your energy in fighting battles with people who don’t care about me to raise the voices of minority folk. Maybe use this time to try get more people employed who aren’t straight white men.

Instead of the collective being one that shouts down marginalised folk, let the default collective be one that raises us up and doesn’t let us be drowned out by bizarrely angry and dismissive others. The status quo is broken and solidarity for marginalised voices should be a constant for progress, for looking and moving forward; solidarity shouldn’t only exist for when things dissolve. Things are already broken and supporting one another is how we continue.

As you might imagine, I know Moosa’s feel on this one. And I agree 100% that the status quo should be about raising up voices and not focusing on whatever asshole flavor of the month comes along to push us down. I’m not saying don’t argue with them and don’t challenge them–you can’t change their minds. I have proof. You might convince someone watching, though–I’m saying don’t let that be the whole of your work.

There are some defenders (not just of me, in general) that I can count on to ride out of the darkness and skewer obvious bigots on their lance. It’s not hard. And it makes everyone feel better. But then how much work do these defenders do when there’s no prejudice monster to slay? How much public work? How much energy do they expend on taunting the enemy vs touting marginalized artists?

The SFF community has quite a few popular people with giant platforms, and the majority of these people are generous with their platforms. Because the majority are great people! However, I wish that those big platform people would take a minute to look through their last 40 promotion/signal-boosting posts, their last 40 shares on Facebook, their last 100 tweets, and count up how many times marginalized voices get the boost vs people from the dominant culture.

You might be surprised by what you find[1].

Don’t cry about it, though. Seriously, I do not want to hear you crying about how you tried and you do sometimes and you didn’t mean to and and and. What I want from you is to commit yourself to doing better in the future.

Make conscious choices to promote more marginalized voices. Seek out more books, short stories, music, art and the artists and writers who create them. More guest posts, more cover reveals, more vlog embeds, more links, more GIFs. Write thoughtful responses and companion pieces to media criticism that focuses on the issues marginalized people face, and always link back prominently. Give credit to other people’s ideas loudly, in boldface, so that it’s harder for people to say only you and others like you are the expert voices on this stuff. Don’t feel like you know enough or know enough people to do more? Ask your friends, ask the Carl Brandon Society, ask Twitter. Go for balance, or go for imbalance in favor of folks not from the dominant culture. Keep a literal tally so you know for sure.

Take all that anger you feel when someone like Tauriq Moosa is hounded off of social media or when someone like me gets dozens of hate-filled tweets and turn it into a cavalcade of attention for artists and writers who need it (that includes the artists and writers under attack).

Side benefit: it really pisses off bigoted haters when the person they’re trying to tear down gets built up by people with more social and cultural juice than they have.

Main benefit: it gives marginalized voices a better chance at recognition, which could lead to more opportunities for them to get paid for what they do and thus do more of it.

Footnotes

  1. Or, you may find that you’re already building up more marginalized voices than not. Awesome! I appreciate the heck out of you. Do me a favor, though? Nudge your high profile friends, please. Thanks.[]

Coming this September: In the Shadow of the Towers anthology

In the Shadow of the Towers cover

Douglas Lain put together a fantastic new anthology called In the Shadow of the Towers: Speculative Fiction in a Post-9/11 World, and I have a story in it! Until Forgiveness Comes, to be exact. I’m quite honored to be in the company of so many great stories. Particularly There’s A Hole In The City by Richard Bowes, still one of the best post-9/11 stories I’ve ever read.

Pub date is September 1, and you can pre-order the book now from Powell’s or Amazon.

The version of the cover I grabbed off of Amazon is different from the one I saw on Doug Lain’s website a while ago. That version did not have my name on the cover. No idea which is the final, so I guess it will be a fun surprise! (I honestly don’t think it’ll be this version.)

I’m trying to decide if there’s still a chance at getting the radio play version of this produced before September. The script is done, I’d just need a cast, a place to record, a director…. You know, minor stuff.

This Week’s Episodes & Assorted Links – June 13

A new episode of the Tempest Challenge is live. Second ep wherein I turn over challenging duties to the friends I saw at WisCon.

This week’s books feature women in lead roles, queer characters, lushly drawn worlds, women of color wrestling with the future and the past, plus deep questions about the role of religion in human history.

Our guest challengers: Meghan McCarron and Chesya Burke

Between the two of them they recommended three standalone novels and two series. That officially brings the Tempest Challenge reading list up to 37!

If you missed any previous episodes, do not fear. There’s a playlist. Or, you can go through them on the new Tempest Challenge Tumblr.

I quite enjoy having special guests! I’m looking forward to this being a regular thing when I go to cons.

Share a little bit of yourself screenshot

Episode 9 of the JEMcast is also live now. This week we discuss “The World Hunger Shindig,” one of my favorite episodes. Though I am somewhat irked at the white savior complex issues that pop up in the Holograms videos. The part where they ride off on a rainbow while shooting glittery, magical grain into African soil is a bit over the top.

Also, I continue to hate Rio.

Assorted Links

As always, please watch, listen, and share widely!

Tempest Challenge #15: A Stranger in Olondria, Solitaire, Water Logic, Kindred, and the Parable series

Lots of books on the list of recommendations this week, all courtesy of our guest challengers from WisCon. That dealer’s room is full of must reads. Another reason to go next year :)

This week’s books feature women in lead roles, queer characters, lushly drawn worlds, women of color wrestling with the future and the past, plus deep questions about the role of religion in human history.

This week’s challengers: Meghan McCarron and Chesya Burke.

And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…

Buy A Stranger in Olondria by Sofia Samatar from Powell’s or Amazon; or Solitaire: a novel by Kelley Eskridge from Powell’s and Amazon; or The Elemental Logic series by Laurie J. Marks from Powell’s or Amazon; or Kindred by Octavia Butler from Powell’s or Amazon; or Parable of the Sower & Parable of the Talents by Octavia Butler from Powell’s or Amazon.

Tempest Challenge #14: Hild: A Novel by Nicola Griffith & Koontown Killing Kaper by Bill Campbell

In this episode, WisCon Challenges You! There were so many amazing books for sale at the WisCon Feminist Science Fiction Convention that I couldn’t decide which ones to challenge you to read. So I got some of the amazing authors who attended the con to pick for me.

This week’s challengers: Nisi Shawl and Bill Campbell.

And, as always, you can support me making Tempest Challenge vids by clicking the links below when you…

Buy Hild: A Novel by Nicola Griffith from Powell’s or Amazon; or Koontown Killing Kaper by Bill Campbell from Powell’s or Amazon.

Sometimes Allies Are Bad Actors

How to be black

“Stop attacking your allies!” –White Proverb

Okay, it’s not really a white proverb. This is the favorite rallying cry of a certain kind of ally[1] — the kind that assumes their self-proclaimed ally status means that any disagreement with them is an attack. And those in need of allies should be careful of attacking, else they will have none.

There’s a lot of bullshit wrapped up in this.

The main problem being that just because you’re an ally doesn’t mean you magically always act in the best interests of the group you’re allied with, and nor should you assume you are. An ally is not some glittery state of being in which you can do no wrong, in which your presence is always wanted or helpful, in which the loss of you represents a great loss to the cause. Sometimes allies are more here for themselves than they are for others.

“Sometimes allies are bad actors.”

That last is a quote from the panel “What Happened With WisCon Last Summer?” Mikki Kendall was the one who said it. She said it in response to Pat Murphy, who expressed sadness that the actions of some people on the WisCon ConCom caused longtime volunteers of the same to drop out of the organization. The people who left are those who have done a ton of work for the convention and for the fan community. This is not in dispute. They are people who have worked to build a feminist space within SF fandom, and are committed to their feminist values. This is not in dispute.

They are also people who, at some time or another over the past two years, have failed to be good allies to people in their feminist space who are not from their same generation, their same race or ethnicity, their same class.

That doesn’t mean they’ve done no good work, or that all their good work is moot. Plus, no one is perfect. Even the most hardcore social justice warrior (or paladin, cleric, rogue…) can fail to be a good ally to someone from a different group or identity at some point. What matters, what always matters, is how you deal with your fail. Did you apologize? Did you sit with yourself and examine what happened and why? Did you think about what being a good ally really means? Did you recommit yourself to being a better ally in the future?

Or did you double down with the idea that you’re an ally, not one of those bigots out there, and you marched with King, and you supported some feminists in 1973, and you’ve done all this work, and therefore you didn’t do anything wrong, you find nothing objectionable in what you did (or failed to do), and so the problem must be with the people you’re allied to, and not with yourself. In other words: did you center yourself?

The kind of people who say Stop Attacking Your Allies are the kind who tie their allyship to specific behaviors from the group they’re supposedly interested in helping. They, the ally, want to dictate the terms of the relationship and want to be the one to say “Now it’s the time to address this thing,” instead of allowing the marginalized and oppressed folks to make that determination. The ally wants to set the rules for what is appropriate discourse, to determine the parameters for politeness, and the conditions under which they will use or set aside their privilege. Do I need to explain the problems with that?[2]

Are we really “driving away” our allies, or are we making it clear that we won’t accept an ally relationship that is about the needs and comfort of the allies above everyone else? Yes, we might be making that clear with harsh language. And yes, in making that clear we might hurt some feelings. That happens when allies don’t listen to the polite, patient words that come before the yelling.

We are far more patient with our allies because they are allies. Because we know, on some level, that they do get it. And we want them to understand. We need our allies.

But we don’t need them so much that we’re willing to be treated like they know what’s best better than we do. Nor so much that we will tolerate them not listening or being dismissive when we say “this is wrong, hurtful, damaging, dangerous, and deadly.” Allies that do? We don’t need.

Sometimes allies are bad actors.

Do you want to be a good actor? To be the real ally you consider yourself to be? Then I suggest you read this guide to allyship & interracial friendships on The Feminist Griote, as it breaks allyship down extremely well. The article focuses on white allies to POC, particularly women of color, but the kinds of questions raised–Do you, white person, have any POC friends? Do you allow your closeness to POC to give you an excuse to not police your whiteness?–apply to many an ally relationship.

Read that article, sit with it, and consider whether you have been a bad actor in the past. If you have, then the best way to make up for that is to do better going forward.

Footnotes

  1. I have an acquaintance who just loves to whip this out when someone confronts her on her less than sterling attitudes about progress and diversity.[]
  2. Nevermind, I’ll let Dr. King do so: “I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to “order” than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: “I agree with you in the goal you seek, but I cannot agree with your methods of direct action”; who paternalistically believes he can set the timetable for another man’s freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a “more convenient season.” Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.”[]