K. Tempest Bradford

K. Tempest Bradford

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Chicks Unravel Time Readings & Signings in Worcester, MA & New York City

Chicks Unravel Time Readings & Signings in Worcester, MA & New York City

Chicks Unravel Time comes out in just a few days! Eee! I’m very excited. This book is bound to be really special. I’ve already had a sneak peek at a couple of the essays and I will predict that Doctor Who lovers will enjoy every page.

Some related events surrounding that. First, to get the bad news out of the way: I will not be attending Chicago TARDIS this year. I know, very sad! But family obligations + lack of money = no Tempest at the con. However, there will be a panel and signing and all of that with the fabulous editors, Deborah Stanish and L. M. Myles, plus many of the contributors. So if you can get to the con, go check it out!

Good news is that I will be at two more local reading/signing events!

The first is in Massachusetts near Boston, the second right here in my hometown of NYC. Details:

On Saturday, November 17th, Annie’s Bookstop of Worcester is holding an all-day Chicks Unravel Time event. I’ll be there alongside Jennifer Pelland, another of the book’s contributors, plus Katy Shuttleworth, cover artist extraordinaire. We’ll be reading, signing books, and hosting a roundtable discussion/Q&A. The store has promised us some surprises as well, and there will be tons of Doctor Who merchandise besides the book to peruse. So please do come!

Location: 65 James Street Worcester MA 01603

Time: 11/17 1PM – 6PM (come early for the reading/signings)

Next up: NYC Doctor Who shenanigans!

The Doctor Who NY group is hosting a reading/signing/book launch event at The Churchill, a pub that appears to be very fancy. This event is going to be loads of fun since both Deborah and Liz will be in town. Then Liz goes back to Scotland and we all cry.

There will also be copies and discussion of a couple of other recently published Doctor Who books that night as well. So overall it will be a big one for NYC Doctor Who fans.

Location: 45 East 28th St (near Park Avenue), New York, NY

Time: 11/28 6:30pm

Here’s a Facebook page for the event if you’d like to RSVP there.

Can’t come to either of these events? Sadness! But you know what you can do? You can pre-order your copy of Chicks Unravel Time. Yes, you can!

 

Story Notes: Uncertainty Principle (from Diverse Energies)

Story Notes: Uncertainty Principle (from Diverse Energies)

So I may have jumped the gun a bit early on the release date for Diverse Energies! However, according to the publisher, it is available now. And I’m seeing it in eBook format on Amazon and B&N, so I suspect print copies will be forthcoming very soon. Check your local, indie book sellers first!

I’m looking forward to hearing from people who read the stories to see what everyone thinks. Rachel Manija-Brown wrote a very thoughtful review here which then led into this post about dystopias and genre labels. One thing I find intriguing is that where Rahul Kanakia was told to write an SF action story, I was told to write a dystopia, yet his story is way more classic dystopia and mine has little shades of it but is more actiony.

Given the discussion on that post, I thought I’d give folks who read my story “Uncertainty Principle” a little peek into the background of it and my thinking around the whole dystopia thing.

As you might expect, these story notes are full of spoilers, so they’re going behind a cut. Don’t read unless you’ve read the story or don’t mind knowing some things about it! (also, ‘ware spoilers in the comments.)

More »

Fiction Favorites By The Numbers #1

Fiction Favorites By The Numbers #1

I’ve been keeping track of all my favorite stories over on Delicious as well as here on the blog. Delicious is still one of the best public bookmarking tools around thanks to the tagging system, which is a little better than it was under Yahoo (finally, spaces!). Due to the way I’ve been tagging stories, I have some good data on them. Peeking in there just now revealed a few things that surprised me.

To start, if you’d asked me what my favorite online magazine is, I would have said Strange Horizons or Clarkesworld. However, a look at the numbers reveals that of the 55 stories published in 2012 that I liked, Lightspeed published most of them (14, to be exact). Clarkesworld is a close second with 11 liked stories. Then after that Strange Horizons and Apex Magazine tie at 6 with Electric Velocipede right behind them with 5. Apparently, my tastes match up with John Joseph Adams’ pretty regularly.

Here are all the magazine numbers in helpful chart format:

Magazine Chart

click to embiggen

Some magazines have lower numbers because they don’t publish as often, but I’m a little sad for Tor.com.

I also track genre data and find that I like SF and Fantasy about evenly (27 and 24 stories, respectively) with a small smattering of horror. Very small. Of the 55 stories, 44 are by women and 14 by authors of color. Obviously there’s some overlap.

I’ll crunch these numbers again at the end of the year to see if anything shifts.I may also go a bit insane and calculate, based on number of stories published total and the number I liked if Lightspeed is still a favorite based on proportion. If a magazine publishes 12 stories a year and I like 5 vs one that pubs 50 stories a year and I like 10, the first one is obviously closer to my tastes.

Any of you out there keeping track of which magazines usually publish stuff that satisfies you in any kind of empirical way?

My Favorite Fiction from September 2012

My Favorite Fiction from September 2012

This month, the list is rather long. This explains my lateness in putting up this post (sort of… I’m also lazy!). I discovered a cache of new magazines this month, thus adding greatly to the number of stories I read and liked.

Several weeks ago I lamented about the fact that there weren’t many markets for long stories such as novellas and novelettes. As a result, people kept suggesting markets to me. I was reminded that Electric Velocipede takes longer stuff, and introduced to GigaNotoSaurus and The Red Penny Papers, which both take novelettes. I’ll put up a post later this week with a longer list.

As always, I welcome any discussion of these stories in the comments. let me know if you liked them or not and why an feel free to tell me I’m wrong and have bad taste! Also, consider dropping a comment where the option is available on the original stories.

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

I Still Have That Dream

I Still Have That Dream

Been wondering why I’m in such a funk lately, then my calendar reminded me again this morning that today is my mother’s birthday. Her name is Marjorie Bradford and she died 13 years ago now, but the pain feels pretty fresh whenever I stop to think about her (which is often).

For many years after her death I tried to write a story that encapsulated how I felt about what happened and how much I loved her, but nothing ever came out quite right.

After she died, I had tons of dreams about her, but most of them had a common theme. In them, I was often aware that I only had a little bit of time to spend with her because I understood that she was sick and still dying. In some dreams she was very sick, in others almost completely healthy. A few times in my dreams I even asked her “How much time do we have?” and she’d say “Only a little while” or “A few days” or something.

It was as if, in my dreamscape, I was able to roll back the clock a little and revive her, but not completely and for good.

In mulling over why she almost always manifested in this way in my dreams led me to finally being able to write a story about her that did all of my memories and feelings and her impact on me justice. The story is “Elan Vital” and you can read or listen to it over at Escape Pod.

I’ve never read that story in public and probably never will because any attempt to do so will end up with me curling up in a ball sobbing. I don’t even read it to myself for that same reason.

However, when the story first appeared on the podcast I saw so many people praising the reading of it, I decided to listen to just a few minutes. I ended up listening to the whole thing. Mur Lafferty, as you may know, is an extremely talented reader. She did such justice to that story I can’t praise her enough.

Happy birthday, mom. I miss you and love you and I still have that dream.

I’m A Chick Who Likes To Unravel Time

Chicks Unravel Time cover

click me for a bigger version

I’ve dropped hints about this for a while, but now it’s official and on the record! I have an essay in the forthcoming Chicks Unravel Time, a follow up to the Hugo Award-winning Chicks Dig Time Lords. Woot! This is my last essay for books from Mad Norwegian Press, so I’m really glad it will be in such an awesome book.

This one is different to the first in that editors Deborah Stanish and L M Myles asked each contributor to consider a specific series of Doctor Who and to explore it in any way we liked. So, not every essay could be classed as “a celebration”, but they’re all written by women who clearly love Doctor Who and who have intelligent and deep thoughts on the show.

Also, the cover art is awesome! Katy Shuttleworth once again being all badass.

Here’s the full table of contents so you can get a taste of what everyone is talking about:

  • Regeneration – Shaping the Road Ahead by Barbara Hambly
  • The Doctor’s Balls by Diana Gabaldon
  • A Dance With Drashigs by Emma Nichols
  • No Competition by Una McCormack
  • Identity Crisis by L.M. Myles
  • The Still Point by Anna Bratton
  • For the Love of Tom by Sarah Lotz
  • Donna Noble Saves the Universe by Martha Wells
  • I’m From the TARDIS, and I’m Here to Help You: Barbara Wright and the Limits of Intervention by Joan Frances Turner
  • I Robot, You Sarah Jane: Sexual Politics in Robot by Kaite Welsh
  • Between Now and Now by Juliet E. McKenna
  • What Would Romana Do? by Lara J. Scott
  • The Women We Don’t See by K. Tempest Bradford
  • The Ultimate Sixth by Tansy Rayner Roberts
  • Maids and Masters: The Distribution of Power in Doctor Who Series Three by Courtney Stoker
  • Robots, Orientalism and Yellowface: Minorities in the Fourteenth Season of Doctor Who by Aliette de Bodard
  • David Tennant’s Bum by Laura Mead
  • Superficial Depth?: Spirituality in Season Eleven by Caroline Symcox
  • The Problem With Peri by Jennifer Pelland
  • All of Gallifrey’s a Stage: The Doctor in Adolescence by Teresa Jusino
  • All the Way Out to the Stars by Iona Sharma
  • Build High for Happiness! by Lynne M. Thomas
  • Nimons are Forever by Liz Barr
  • Ace Through the Looking Glass by Elisabeth Bolton-Gabrielsen
  • Hey, You Got Science in My Fiction! by Laura McCullough
  • Seven to Doomsday: The Non-Domestication  of Earthbound Doctor Who in Season Seven by Mags Halliday
  • Harking Back and Moving On by Jenni Hughes
  • Anything Goes by Deborah Stanish
  • How the Cold War Killed the Fifth Doctor by Erica McGillivray
  • Waiting for the Doctor: The Women of Series Five by Seanan McGuire
  • Timing Malfunction: Television Movie + the BBC Eighth Doctor Novels = A Respectable Series by Kelly Hale
  • Guten Tag, Hitler by Rachel Swirsky
  • Reversing Polarities: The Doctor, the Master and False Binaries in Season Eight by Amal El-Mohtar

There’s one essay for each series of the show, classic and current, plus the TV movie.

My essay is about Series 13. When Deb first asked me to be in the book and told me the premise, I loved the idea right away. I let her pick a series for me since I’m not very familiar with classic Who and she hoped to get some fresh perspectives on the older stuff.

At the time, the series I would have chosen for myself is #3 of the modern era. Deb rightly pointed out that my CDTL essay was pretty much an exploration of Series 3 through the lens of my love for Martha. The only other series I have many FEELS about is #4. After that my ability to deal with Doctor Who flies out the window.

The choice of Season 13 ended up being a good one. Tom Baker’s Doctor is the only one of the classics I’m familiar with. I’ve seen some of Series 12 and a few of his adventures with Romana. But I came into #13 fresh.

I won’t spoil the essay for you, but I will say that I was a little surprised at some of the things I found there, despite knowing in advance that I would see some problematic stuff. What I found very interesting, and only touched on a bit in the essay, was how much of new Doctor Who I saw in those old episodes. I can tell that some writers have been influenced by those episodes for good and for bad.

I now also have a full appreciation for how eye-roll worthy it is that the Doctor’s race is called the Time Lords, as if there are only men running around on Gallifrey. This plays out in interesting way during this series.

Chicks Unravel Time is out on November 13th, and you’d better believe that I’m going to remind you several times before the actual day. I should also note here that it’s almost a 100% done deal that I’m attending Chicago TARDIS over Thanksgiving weekend so I can take part in the panel about the book! I’m just waiting to see if I can get a press pass.

Until then, pre-order and spread the news!

Seanan McGuire on why she will not add rape to her stories to add “realism”

Seanan McGuire on why she will not add rape to her stories to add "realism"

If you’ve been reading my blog long enough, you know my feelings about the way rape is used in most fiction. If you’re unaware or have forgotten, please click over to my post here, my post on ABW, and my post on Jeff Vandermeer’s blog about the subject.

The bottom line of each of those is that I really do not like it when authors decide to have their female (and it’s almost always female) characters raped for bullshit plot or character development “reasons”. The kind of writers who do this are generally not very good ones since they have to use cheap tricks in order to show that the female character is “strong” or the male character is “evil” or to wink and nod to any reader out there who might think that a female character could possibly ever get away with being smart and confident and badass without being taken down a peg.

I also get angry at this trope because I firmly believe that it contributes to rape culture in a big way. When the message from fiction is constantly that rape is inevitable, especially if you as a woman step outside of the box of what is acceptable, and that’s just how it is. Whenever I suggest that authors just NOT include rape as an inevitable consequence of being a woman in fiction, I get told that this is completely unrealistic.

Thus, I am not at all surprised that this happened to author Seanan McGuire:

Last night, I was asked—in so many words—when either Toby or one of the Price girls was finally going to be raped.

Not “if.” Not “do you think.” But “when,” and “finally.” Because it is a foregone conclusion, you see, that all women must be raped, especially when they have the gall to run around being protagonists all the damn time. I responded with confusion. The questioner provided a list of scenarios wherein these characters were “more than likely” to encounter sexual violence. These included Verity forgetting to change out of her tango uniform before going on patrol, Toby being cocky, and Sarah walking home from class alone[1]. Yes, even the ambush predator telepath with a “don’t notice me” field is inevitably getting raped.

When. Finally. Inevitably.

My response: “None of my protagonists are getting raped. I do not want to write that.”

Their response: “I thought you had respect for your work. That’s just unrealistic.”

Go and read the whole post, because everything that Seanan has to say in response to this nonsense is right on and should be read by every person ever, especially authors.

I’ve said this before and I will say it again: Writers, when you write fiction you get to create the world. Yes, even if are writing in the “real” world and not that of the speculative, you get to decide what happens to your characters and why. Spec writers in particular get to create stuff out of whole cloth, if they like. And more of them should choose not to bring rape into their narratives. Because if we want to create a world in which rape happens less, we need to show worlds where rape isn’t the inevitable consequence of being a woman.

Then maybe there won’t be readers out there who claim that no rape means a book is unrealistic. Because: really? Gross.

Footnotes

  1. Does it occur to anyone else that this person has thought way too much about the ways in which these characters may end up raped? If I were Seanan I would stay away from the fan fiction for a bit…[]

Diverse Energies Launches Today!

Diverse EnergiesThe Diverse Energies anthology is now officially available in fine bookstores near you. Find it at a local, independent bookstore through IndieBound or grab it from Barnes & Noble or Amazon. I haven’t yet seen any eBook versions, but I think you’ll be able to find them through GoodReads.

Diverse Energies has 11 stories on a dystopian them for YA readers. Editors Tobias S Buckell and Joe Monti wanted to create an anthology full of characters that reflected the diversity they see in their own lives, so all of the protagonists are of color. Many of the authors are of color as well, and the stories well up from our perspective and experiences.

My story, “Uncertainty Principle”, features a girl of mixed Latina and Middle Eastern background who finds that the world changes around her — big changes that no one else but her notices.

Here’s the full TOC:

“The Last Day” by Ellen Oh
“Freshee’s Frogurt” by Daniel H. Wilson
“Uncertainty Principle” by K. Tempest Bradford
“Pattern Recognition” by Ken Liu
“Gods of Dimming Light” by Greg van Eekhout
“Next Door” by Rahul Kanakia
“Good Girl” by Malinda Lo
“A Pocket Full of Dharma” by Paolo Bacigalupi
“Blue Skies” by Cindy Pon
“What Arms to Hold” by Rajan Khanna
“Solitude” by Ursula K. Le Guin

Thus far I’ve seen many positive reviews of the book from advance readers. The Kirkus review even mentions my story:

Readers will find poor children working in mines and factories, a have-not yao boy kidnapping a rich you girl and a girl reeling as the world inexplicably changes around her, and no one else notices. Although many stories imagine bleak futures, their tones are refreshingly varied. Daniel Wilson’s tale of a robot attack at a frozen-yogurt shop takes the form of an almost-comical police-interview transcript. Ursula K. LeGuin’s “Solitude” is a sweeping, nostalgic epic. K. Tempest Bradford’s “Uncertainty Principle” is a character-driven time-travel tale. Understanding many of the stories takes patience: Readers are plunged quickly into complex worlds, and exposition often comes slowly.

There are a couple of other reviews that mention it as well, but everything is full of spoilers!

If you read the book and like it, please let folks know and leave reviews where possible. Also, buy it for the young persons in your life who like SF or like to read anything and everything.

My Favorite Fiction from August 2012

My Favorite Fiction from August 2012

As I predicted, this is way late thanks to WorldCon. All things can be blamed on WorldCon. The good thing about going was being at the Hugo ceremony to see many deserving writers and artists get their shiny rockets. It’s sort of a coincidence (but not exactly) that many of the Hugo Award winners also have fiction on my list below. A coincidence because I didn’t plan it that way, but not because it’s no surprise that I’d love their stories given their track record.

Last month I also did some novel reading. I finally finished Liar by Justine Larbalestier. If you haven’t read it yet, go now! It’s so good. I also read the last of the Midnighters books by Scott Westerfeld. I put it off a long time because I love the first two so much I didn’t want to be done with those characters.

September is already shaping up to be a great month, especially since there’s a new issue of Electric Velocipede out. Also, did you know they have a Kickstarter? They so do.

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

POC Dinner @ WorldCon

POC Dinner @ WorldCon

By popular demand we’re bringing the POC Dinner from WisCon to ChiCon. On Friday, August 31st, the POC attendees of the World Science Fiction Convention are invited to dine in glorious splendor (or just in a nice restaurant).

If you’d like the deets on this event, please contact me through the contact form on my website if you don’t already have my email. If we’re friends on Facebook, check your events list since it’s likely I’ve already invited you.

Looking forward to hanging with folks at WorldCon!

Kindred Reading Series September: K. Tempest Bradford (that’s me!) & Ibi Zoboi

Next month I have the pleasure of reading alongside Ibi Zoboi at the Kindred Reading Series. September’s reading will take place at Bluestockings Books in New York City and it starts at 7PM.

I will likely read my story from Dark Faith: Invocations and maybe a teaser from “Uncertainty Principle”, my story in Diverse Energies. But, who knows, I may change my mind :)

I don’t know if I’ve mentioned the Kindred Reading Series here before, but it’s the brainchild of Jenn Brissett, an African-American writer from Brooklyn. She wanted to create a reading series for genre writers of color since there’s a general misconception that POC don’t write or read science fiction, fantasy or horror.

A secondary goal was to raise money for the Octavia E. Butler scholarship which helps writers of color attend Clarion and Clarion West, two intensive writing workshops for new authors.

If you’re in the New York area the last week of September, please drop by!

My Favorite Fiction From July 2012

My Favorite Fiction From July 2012

Sorry I’m so late in posting July’s picks, all. Got caught up in work stuff, as usual. I’m also behind on my August reading. And with Worldcon coming up in a couple of weeks I might be late with my picks after that.

Speaking of WorldCon, one of the reasons I started these lists and keeping track of the stuff I read that I like is that I’m trying to be better about suggesting fiction for awards. Not just the Hugos, but also the Tiptree, Carl Brandon, World Fantasy and Million Writers Awards, to name a few. Remembering favorite short stories is harder for me than remembering favorite novels. Now I have all of the stuff I like cataloged over on Delicious with tags that will help me find appropriate stuff easier.

If anyone would like to join me in tagging and keeping up with loved stuff in this manner, my username on Delicious is ktempest.

And now, the fiction:

Visit my Favorite Fiction stack to see all the other short stories I’ve liked so far this year.

Putting a hard line between art, science, commerce, and creativity

Putting a hard line between art, science, commerce, and creativity

Earlier this summer I read a book by Jonah Lehrer called Imagine: How Creativity Works after reading a snippet of the book in a magazine or on a blog. Read the whole thing, loved it, recommended it to friends. And then a few weeks ago the world finds out that Lehrer did a very bad thing by making up or improperly smashing together quotes from Bob Dylan in said book.

It called all of the facts in the book into question (and since then people have found other errors in other chapters) and rightly cost Lehrer his job at the New Yorker and the respect of fellow writers and readers. I still think there are some good aspects of the book, but I recognize now that the conclusions have to be taken more as Lehrer’s conjectures or opinions.

In reading all the linked blog posts about this scandal, I came across this review of the book, published many months before said scandal. This was held up as an example of people calling shenanigans on Lehrer long before the Bob Dylan stuff was revealed. But as I read the review, I found it to be full of a huge dose of bullshit as well as what seems a real personal anger at Lehrer and all writers like him[1]:

IMAGINE is a collection of stories—all pop-science these days must be translated into stories, as if readers, like children, cannot absorb the material any other way[2].

Lehrer does not see creativity or imagination as being intricately connected to art, or to science, or to anything that we would generally term “imaginative.” It is all about success. … Lehrer’s unwillingness to distinguish between these types of thinking, between art, science, and commerce, is discouraging. Inside or outside, the only place that finally interests Lehrer is the marketplace. …the problem of differentiating between artistic distinction and commercial distinction is especially problematic here. …if you are trying to explain the most ambitious and the most admirable exertions of human imagination and intelligence, some disaggregation, some discrimination, is necessary.

To start, I disagree with Isaac Chotiner’s assessment of Lehrer’s points and that all that interests him is the marketplace.

I heavily contest that one has to distinguish between art, science and commerce when in a discussion of creative thinking.

I always think of the book A Beautiful Mind when stuff like this comes up. It’s about the life of John Forbes Nash, the brilliant mathematician who struggled with paranoid schizophrenia for many years. In the prologue, the author recounts a day when a friend of Nash’s came to visit him in the hospital.

The friend asked: “How could you, a mathematician, a man devoted to reason and logical proof… believe that extraterrestrials are sending you messages?”

Nash’s answer: “Because the ideas I had about supernatural beings came to me the same way that my mathematical ideas did. So I took them seriously.”

As a writer, I often get flashes of insight or inspiration that seem to come from a part of my brain not entirely connected to the conscious part I’m aware of. I love when this happens because it usually leads to great stories. When I read that quote I realized for the first time that this happens to scientists as well.

Not that all great scientific discoveries are the result of this, but that ideas that then collide with your knowledge, understanding and experience come from a part of the mind that’s not readily accessible (like memory) happens not just to artists was very eye-opening for me. It made me realize that art and science aren’t on opposite ends of a spectrum.

Thus, I roll my eyes at Mr. Chotiner and his disdain for narrative and his assertion that just can mix up art and science and commerce and stuff because REASONS.

Whatever Lehrer’s crimes with this book, this isn’t one of them.

Thoughts?

Footnotes

  1. I found that many journalists and older writers had a huge hate hard-on for Lehrer for years. They are way too gleeful over his downfall.[]
  2. Dude, narrative is a building block of our culture. It’s not just for children. If you don’t understand that, how can I trust you to review books, even of the non-fiction variety?[]

Coming Soon: My stories in Dark Faith: Invocations and Diverse Energies

Coming Soon: My stories in Dark Faith: Invocations and Diverse Energies

Those of you who view the blog proper may notice a couple new covers on the sidebar. I have stories in two anthologies coming out this fall and I’m very excited about both.

Dark Faith Invocations

The first one to come out will be Dark Faith: Invocations. From the Apex website:

Religion, science, magic, love, family — everyone believes in something, and that faith pulls us through the darkness and the light. The second coming of Dark Faith cries from the depths with 26 stories of sacrifice and redemption.

My story is “The Birth of Pegasus”. The full TOC is here and includes such awesome authors as Nisi Shawl, Jeffrey Ford and Tim Pratt. It launches at WorldCon in Chicago. If you won’t be there but want to pre-order a copy, click here. (You can get 10% off with coupon code: DFBradford)

 

Next is Diverse Energies, a YA dystopian anthology where all the stories feature characters of color. It will be out in October. I’m sharing a TOC with Ursula K LeGuin. I have not yet stopped doing the boggie about that.

You can’t pre-order Diverse Energies yet but I’ll let you know when you can.

What do you think of the covers?

NYC Group Writing Evenings?

NYC Group Writing Evenings?

I don’t get to have many group writing days, anymore, partially due to me not organizing them and the folks who used to do them with me don’t as much, anymore. Or they’ve moved away[1]. But now that I have a semi-regular schedule again that does not involve working into the night for no good reason, I’d like to try having them again.

During NaNoWriMo I organized a big write-in at Vagabond Cafe and really enjoyed it. Wondering if people in NYC would be interested in weekly write-ins. Perhaps not on such a large scale as NaNo ones, but groups of 5 – 10 folks all dedicated to writing for an hour or two together on a regular-ish basis. I’m sure we can accommodate more if more people are interested and show up.

Vagabond is a good location if we have a smaller group and want to do Tuesday since that’s the night they’re slowest and have no live music. For other days (Monday, maybe Thursday?) I suggest a new cafe called Irving Farm on the upper west side. They have a huge space in the back and are often very empty in the evenings. They serve beer and wine, which is always a bonus.

The kind of writing evening I envision is one where people trickle in for the first half hour, get drinks, food, etc. and chat a bit, then we get down to the SRS bizness of writing. No talking, the whole thing. Maybe we’d do a no talking, heads down sprint in 30 minute chunks then take breaks.

I’m open to ideas about how the writing evening should be structured and any other details. Discuss in the comments and let me know if you’re interested!

Footnotes

  1. Eugene![]

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Vitae

I'm a writer, most often committing acts of genre (fantasy, science fiction, and other stretches of the imagination). You can find my short stories in many and various magazines and anthologies and podcasts. In addition to being a writer I also engage in activism and fandom -- often both at once.

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