31 Days of Jewelry – Day 2

Fall Earrings #1

I’m still working on re-designing that other necklace, so I went with something simple for my second day. They’re earrings in fall colors. Don’t ask what the stones are. I once knew, really I did. That knowledge is lost to me.

The hooks I’ll put on the final will be sterling silver. Here’s a more detailed closeup.

Fall Earrings #1 detail

Selling for $6 + shipping. If interested, drop a line in the comments.

Just Say No to One Planet, One Language

One of the things I find a wee bit annoying about this Slate piece on science fictional languages is that it heavily references Star Trek (not even real Trek but that JJ Abrams thing from 2009) yet keeps talking about all science fiction writers like we all do it this way. Granted, there are some literary examples given, but they are very few and not the focus the way Star Trek is.

Darmok and Jelad at Tenagra

Dathon is having none of your linguistic simplicity, no sir.

First, let’s talk about Trek and alien language and culture. The thing all TV and movie iterations of Trek have done is treat each planet like it has one culture and one language. This is why Uhura’s line about three dialects makes some small sense in the world of Trek because Romulus, Star Empire it may be, metaphorically represents one country. A country that is probably small in comparison to Vulcan or Earth since it’s made up of the descendants of refugees.

It’s the same with every Trek culture. Only the ones we see multiple times ever move away from homogeny. How many years and new series had to go by before we saw a non-white Vulcan? There was once an “albino” Klingon, but otherwise they’re generally dark-skinned in TNG-era Trek. They do have different head ridges as time goes on. Did we ever see a Cardassian that didn’t have the very same coloring, bone structure, and facial markings as the first one we saw?

Even the humanoid species that looked exactly human on the outside lacked variation: with few exceptions they were all white people. If we got wild there might be a green person or a blue person with funny horns, but always the same blue or green or whatever.

To go along with the thing where everyone on the planet looks the same (even the same haircut. Do Romulans even have barbers? They would have the most boring jobs ever) the cultures were always the same across the planet. Everyone would talk about how to deal with the Bajoran people or Trills or whatever as if there was only one way to do so. One culture, one society.

The only time I remember TNG-era addressing this was an episode in season 7 when 2/3rds of a planet applied to join the Federation while the other third wanted nothing to do with it. Still though, that’s just two societies on one planet.

I realize that this is part of the utopian vision of Star Trek. That as people of different planets evolved and mass/instant communication became possible, soon they would all become one global society. That’s certainly the way Earth is presented. In the 24th century we’re all one culture: American culture. You can pretend Picard is French all you like, even with his strangely British accent, but you cannot tell me he acts in any way specifically French or even in any way specifically like a man who grew up three centuries from now.

That’s not the point, of course. Because science fiction is about us, right now, and always has been. And I have no beef with that, theoretically.

However, my story in Federations was written specifically in response to TV science fiction ideas about homogeneous alien cultures. I reject them. And I believe a lot of good science fiction novel and short story writers do as well. Because we’re not constrained the way TV writers are.

As much as I’d love more alien cultural diversity in Star Trek, I recognize that it’s mostly metaphor. I also recognize that if we were going to be super realistic, TV episodes would be boring as hell. Can you imagine the tediousness of having to deal with multiple governments and cultures on every single planet? It’s hard enough to deal with just one.

If Star Trek can’t do more than one culture per planet, how do you expect more than three dialects of Romulan? Even if you adhere to the thinking of a planet = a country, most countries have more than three dialects going on. But in every episode we’d be figuring out how to talk to new aliens or even some the Federation has already met because they’re not in the Federation yet. The universal translator takes care of that for us and we can move on to the story.

For the sake of the narrative and simplicity you have to be willing to put up with some handwave.

That doesn’t mean the same applies to science fiction literature. It shouldn’t, at any rate. I wouldn’t assume that it does.

I’m not as up on my space opera as I probably should be, but I know for my own works I try to be careful about falling into planet = one culture thing. Same as I try not to fall into the Planet With A Universal Climate trope. The SF I’ve read using that is also usually more on the metaphorical side and I’m down as long as the author clearly knows what she’s about. It’s when authors get lazy that this becomes a problem.

It seems like an awful lot of work to have to come up with multiple cultures and societies and mention multiple languages and dialects when you write stories dealing with alien worlds or even colonized ones, right? That’s because it is. This is what makes fiction rich and complex. And no, it doesn’t mean having to work out every single detail, it just means not falling back on what’s easy. That’s okay for TV, not so much for literature.

Even though the Slate article is at pains to try and paint the single language thing as scientifically valid, I don’t see that as the way to go. From an alien perspective all of Earth’s languages might seem, at the core, to be all one. And on a certain level that might be right. That doesn’t mean it’s a universal truth, does it? The way different cultures use language has huge effects on how the people in those cultures think, and dealing with those differences has a huge impact on how we Earthlings deal with each other and how we’d deal with alien cultures.

I’m just sayin': leave the one language, one culture, one planet simplicity to TV. Because it’s TV.

31 Days of Jewelry – Day 1

I’m moving out of my apartment at the end of the year (lease is up, management company sucks) and so I’m taking the opportunity to divest myself of most of my stuff. I’ve been selling off bits of technology all summer[1], and now that it’s fall I’m ramping up my efforts. I have a ton of beads leftover from when I made jewelry semi-regularly.

my stash

My Stash!

I’m not taking all these beads with me, thus I need to make jewelry!

Every day for 31 days I’m going to make a new piece of jewelry and sell them here on the blog. Most of what I make will likely be small–bracelets, earrings–but I will make some necklaces, too. Whatever inspires me.

That said, my inspiration is a little rusty. I made my first piece today and while I guess it looks all right, it’s not what I think I envisioned when I bought the beads. here it is:

Turquoise and Jet Necklace draft

I haven’t quite figured out what I want to do with the cross at the center. This is just a draft–I’ll take it apart tomorrow and see how I feel about it.

Footnotes

  1. If you’re interested in the tech, just follow me on Twitter, Instagram, or Facebook. I post up stuff every week.[]

Short Stories: We Need More Venues For Discovery, Recs, and Discussion

John Chu Hugo Speech

John Chu accepting his Hugo Award, courtesy Scott Edelman on Instagram.

If you’re interested in the Hugo awards or just SFF awards in general, Justin Landon does an excellent job of breaking down the Hugo votes over at his blog. It’s fascinating to see how the instant run-off ballot affects who wins and provides insight into what voters are thinking (a little). It’s a long read but well worth it.

In the section discussing the short story ballot, this caught my attention:

Given the number of short fiction venues today, the Short Story category is becoming increasingly scattered, making it harder and harder to have a digestible slate of stories to choose from. Hopefully, the Hugo Awards can get a handle on this challenge and ensure a full nomination ballot in future years.

I’m not convinced that this is something that the Hugos or Hugo voters as a group can really change. There will continue to be a ton of great markets and plenty for people to read. There’s about to be an all-new magazine (Uncanny) that could, down the road, complicate the matter further.

What’s needed are more short story reviews and recommendations.

Locus reviews short fiction, of course. But Locus is for people involved in the business of writing and publishing and not so much for the average SFF reader and fan. Tangent still exists but I have no idea how relevant it is. The Fix is long gone. And I just plain don’t hear about most other short fiction review outlets, and I can’t be the only one.

This is one of the reasons why I started my favorite fiction posts. I read a lot of great fiction over the course of a year but might not be able to recall all my favorites once it came time to nominate. And I wanted a way to share stories I thought deserved attention and award consideration in a compact yet concrete way.

I’m really glad I have a high profile venue for those posts now in the form of io9[1]. This is the easily digestible list of recommendations Landon is looking for, I think. I would love for there to be more of them.

I wish that it was possible to have a Goodreads for short fiction so that people could rate, discover, and recommend with the same energy as novels get. I know there are some shorts with their own entries on Goodreads, but the last time I poked around it didn’t seem like the platform wanted that and there’s not a big community push behind it. I’d love to be wrong about that.

Is Goodreads itself the best place for this kind of thing? It’s a site and community that already exists, and I’m sure plenty of people who love novels are also down with shorts. Since I don’t spend much time on the site I honestly don’t know if it would work.

Is there a place to create such a community easily? As in not having to build something from scratch (who has time for that–no one)?

The short story/novelette categories in all our major awards could benefit from more discussion and engagement, I agree[2]. I just wouldn’t leave it up to the Hugos to figure that out.

Footnotes

  1. Don’t forget to head over today and look for the new post![]
  2. Don’t get me wrong: I love the story that won and agree that it deserves the honor.[]

A New Year’s Best Gives Me Thinky Thoughts About Existing Year’s Bests

Nisi Shawl

Yesterday a bit of news I’ve been sitting on excitedly finally went public. Aqueduct Press is going to start publishing a Year’s Best volume titled The Year’s Illustrious Feminist Science Fiction and Fantasy! Nisi Shawl will edit, and I’m among a handful of fabulous volunteers who will help her by reading everything I can and suggesting stories for Nisi to consider. It’s like slush reading except I’m slushing through published stuff.

This dovetails nicely with my gig at io9 (new post up today!) since I’m already reading all the short fiction I can get my hands on. Any story I like that I also consider feminist will go on the recommended list.

If you have a story you think is feminist that was (or will be) published in 2014 and you want it considered for this year’s best, you can submit it for consideration using this form.

Before you ask me to define a feminist story, know that this is an ongoing discussion amongst the folks working on this project. Likely there will be a definition or idea included in the call for submissions, coming out in a little bit. For now I say: if you think your story is feminist, fill out the form.

I’m so excited that Nisi is editing this volume as I don’t think there are enough female Year’s Best editors, especially for science fiction. You find prominent women amongst the horror and fantasy editors, but guys dominate volumes that include SF. And while many of those guys are good editors, this situation just feeds into the idea that science fiction isn’t for women. You know how I feel about that stupid idea.

Nisi may also be the only POC editor of a current English language Year’s Best–please do correct me if I’m wrong. The fact that I can’t think of any says volumes. The Year’s Bests have been edited by mostly male (all likely cis), maybe all-white editors for years and years. Giving a black woman the editing gig for a new one is a great first step.

It’s shouldn’t be the last step, though.

I’d be really interested to see what would happen if Dozois or Horton decided to turn over or share editing duties for a year or two to someone like An Owomoyela or Andrea Hairston or Amal El-Mohtar or Nalo Hopkinson or Saladin Ahmed? How different in sensibility would those volumes look?

Some of the story choices might be the same as there are always ones that stand out and get near universal praise. I imagine that there would also be many stories in the books that wouldn’t even have been considered by the traditional editors.

It doesn’t end at Year’s Best volumes–of the few outlets that review short stories professionally, how many of the reviewers are women or people of color?

So much of the conversation around which stories are best is dominated by white guys. But the genre is changing via both the writers of stories and readers of them. I’d like to see that change reflected in the editors and reviewers, too. As I said, Nisi Shawl editing this Year’s Best is a great first step. Let’s make sure it’s not the last.

Do you subscribe to magazines?

stack of magazines

My io9 weekly fiction roundup continues apace. I decided that at the beginning of every month I would remind people that magazines need subscribers, and subscribing is awesome. Go, team! In searching for all the subscription links I took note of all the ways one can subscribe to the many and various SF zines. Where just a few years ago I complained about the lack of choices, now there are many. This makes me happy.

Side Note: Strange Horizons, what is up! There’s no way to subscribe in eBook format. The people are clamoring :)

I note that Amazon and Barnes & Noble are still not as helpful as they could be with subscriptions. Looks like many small press mags are in their systems, just not as subscribable entities. And certainly not with the fancy layout that the glossy magazines get (not that this is needed).

All this leads me to wonder how many people do subscribe to these zines, why, and what their experience is like. I’m just curious. We’ve moved into a time where tons of people can get content digitally, easily, for not too much money. How do lit mags fit into the stream of information coming at you?

And if you don’t subscribe to the magazines you read online: why?

“Why I Don’t Drink Anymore”

If you’ve been to my website recently you may have noticed that I changed the theme dramatically. Along with that I’ve been cleaning up some of the pages and making this place a more useful calling card for myself.

Right now I’m working on the Fiction page. It’ll probably be done by the time you read this. In the process of checking links I discovered that a story I published long, long ago at Abyss & Apex no longer exists on the website. That’s not a huge surprise. I think the archives got pruned long ago. And none of the editors working there now were working there back then.

I dug the page out of the Wayback Machine to reclaim the story, which I remembered as being rather short. I was right. Here it be:

Why I Don’t Drink Anymore

by not-K Tempest Bradford because I had a different pen name then

I’m sitting at my favorite café drinking absinthe when this guy comes up to me.

You’re a writer, aren’t you? he says.

Yeah, I says. How did you know?

You have that Hemingway thing going on, he says. Sitting around in a café all day. Drinking absinthe. Scribbling in your little notebook.

At this point I’m starting to get offended.

This isn’t Paris, you know, he says. This is Oregon. And you’re drinking in the middle of the day. Do you know what we call you types where I come from? Drunks. Damn drunks.

Then he walks away.

Oh, did I mention that this guy was a big scary eight foot tall monster with six arms? What a loser.

Moar Translations Please: A Rough Idea For SFF Magazines

 

Lost in Translation by Alfonso on Flickr

In the introduction to the SFWA European Hall of Fame anthology, editor James Morrow told the story of how this book came to be. It involved meeting up with a translator friend and discovering that translating fiction from one language to another involved more than just translating the words or even the concepts behind the words accurately, it also required the keen eye of an editor who could further shape and prod the prose so that it conveyed the original meaning and read well in the translated language. This is part of why works in translation don’t often make it into genre magazines. This process is time-intensive and, I imagine, expensive in magazine monetary metrics. However, it’s more important now than ever for Anglophone readers to read speculative fiction from outside the English speaking world, as this piece by Rochita Loenen-Ruiz proves.

How to address this dilemma? Some are doing so by offering their own translation services, free of charge, to authors. I love this, but also feel that the burden shouldn’t all be on them. I have an idea that’s been kicking around in my head for a while that I offer freely to anyone who wants to take it up and even improve upon. I do hope this is a workable idea, because I want to see more SFF from around the world on a regular basis.

From what I understand, students who are studying for a Bachelor or Masters degree in translation must do a certain amount of real world translation in order to get said degree[1]. Thus an internship that involves real translation work is a useful one to have, even if just for a few credits. This is what SFF magazine editors should do.

Obviously you wouldn’t have just any student as an intern for this. They’d have to be familiar with the genre and have a sensibility similar to the editor’s, or someone who can learn said sensibilities. I recognize that this is an important criterion; I don’t think it’s an impossible one.

There are two models I’ve worked out, one where interns work for one semester and another where they work fr two. In the one semester model, once you know which language(s) your intern(s) can translate, you have them read Best Of compilations and award-winning works from authors in that language going back two to four years or so. This might require a bit of research and reaching out on their part. They provide a short synopsis/overview of each one, and the editor picks a few that sound like they would work for their magazine. The interns then provide a first draft translation. If the story looks like it will work for that editor, they reach out to the author with an offer to publish, translated. If the author accepts, then the editor, translator, and author work together to fine tune the translation.

This will probably result in one or two translated stories in a 6 month period. Not a lot, but more than we see in most magazines. And if four magazines decide to do this, then that’s maybe 16 stories a year.

The two semester model starts out almost the same except the intern also spends the first semester reading every issue of the magazine put out in the last year and maybe reading the slushpile for a month or two. If, at the end of the first semester, the editor feels the intern understands what they look for in stories then the second semester can be about finding new stories to translate. You create a limited submission period for the language the intern can translate and solicit stories. The intern then reads slush, picks out the stories they think will work, and again provides the editor with a first draft translation for consideration. If it looks like it will work, the intern and editor work together on it with an eye toward final acceptance.

Again, this may only result in a couple of stories in that period. I think that’s fine and could be well worth the effort.

The interns get translation experience for school credit that’s directly applicable in the real world, magazines get to widen their horizons, and readers get to read awesome stories that they might not have, otherwise. Win!

I’m sure there are probably some flaws in this idea. Please do help me work them out in the comments. If even part of this seems workable to the editors out there, please give it a try.

Footnotes

  1. If I’m wrong about this or fuzzy on the details, please do correct in the comments.[]

Story Art – Highlights from July’s short fiction illustrations

My first month doing a weekly short fiction roundup at io9 is over and I’m really glad to be back in the groove of reading consistently. As I read more and more I’m newly struck by how many magazines are commissioning original art for stories and how wonderful that art is on the whole. I thought it would be nice to call out the pieces I liked best at the end of each month.

Here are my favorite story arts for July:

Richie Pope illustration for Sleepwalking Now And Then

Richie Pope’s illustration for “Sleepwalking Now And Then” by Richard Bowes.

Pope does a lot of work for Tor.com and has many other great pieces on display at his website.

Depot/Station by Albert Urmanov

Clarkesworld’s July cover art comes from Depot/Station by Albert Urmanov

Urmanov is a German artist who does a lot of amazing SFF illustration. See his other works at Art Station.

Rebecca Huston Grooming

Rebecca Huston’s “Grooming” for “Witch, Beast, Saint: an Erotic Fairy Tale” by C. S. E. Cooney

I couldn’t find a gallery of Huston’s art but did find out she inks tattoos for a living. Can you see getting a picture like that over your whole back?

Wesley Allsbrook illustration for A Short History of the Twentieth Century

Wesley Allsbrook’s illustration for “A Short History of the Twentieth Century, or, When You Wish Upon A Star” by Kathleen Ann Goonan

Another frequent Tor.com artist, Allsbrook has a really striking style that gives me the feeling that all the people and objects in his works are threads held together by a very tenuous connection to each other and will fly apart at any second. Check out his gallery.

Erasure Comes In Many Forms – A ReaderCon Report

Erasure Comes In Many Forms - A ReaderCon Report

The other weekend ReaderCon happened and, on the whole, I had a great time. I am sad I had to leave early to go to a wedding in the city, but that’s way better than missing everything. ReaderCon is usually a good time, even as much as we snark about multiple references to Proust.

There were a couple of things that marred my enjoyment of the con and I’d been trying all last week to write about them. Instead of trying to temper my anger and aim for tact, I’m just going to be blunt.

The fact that none of Andrea Hairston’s books were in the dealer’s room is bullshit of the highest order. Andrea was a Guest of Honor. You don’t fucking NOT stock the book of a guest of honor at a con where you are a book vendor. How is this not con vending 101?

Andrea Hairston is not here for your bullshit

 

The ReaderCon dealer’s room is called The Bookshop for a reason: almost 100% of the stuff for sale is there are books. Every now and then there might be a T-shirt vendor or maybe a flash of jewelry. But it’s ReaderCon, so it’s all about the books. This makes sense.

Some of the booksellers are publishers who are pushing their own books and maybe the occasional extras by smaller presses who can’t afford a table. Those dealers not carrying Andrea’s books makes sense–they are not her publisher.

Some of the booksellers deal in used books or rare books. They also have some excuse for not selling Andrea’s books.

But to the several vendors who sold current, regular books? You all need to have your asses kicked.

Throughout the con attendees asked these sellers if they had any of Andrea’s books. I know for a fact that one of them, Larry Smith Booksellers, told people that her books are out of print. Which is a lie. When I asked, a guy I can only assume was Larry Smith himself yelled this at me. He was angry–really angry–that I had dared to ask him about this and proclaimed loudly that he only sells new books. Meanwhile, Andrea’s most recent book came out weeks ago. Guess that’s not new enough for him.

As an aside, the selection of books on offer by Larry Smith and the other general book vendors is hardly any better than what I can find in the Barnes & Noble. So what value are they adding to ReaderCon, exactly?

If you can’t be bothered to order the books of a guest of honor at the con and you’re rude as hell to con attendees? You shouldn’t get to vend at ReaderCon. And I’m filing a report with the con chair to that effect this week.

In addition to that indignity, the newest issue of Locus contains this:

Alaya Dawn Johnson wasn't even there

That’s from their article on WisCon. There’s a picture of Andrea (with correct attribution) to the right of these words. So it’s a real mystery why the 2011 Tiptree award winner is identified as Alaya Dawn Johnson, who has not won any Tiptree nor was she at the con at all. Seriously, not at all.

Alaya Dawn Johnson wants you to stop saying she was at WisCon

Ever since I started going to cons I’ve joked about how (mostly) white folks can’t tell the POC at the con apart from each other. I don’t even mean just mistaking one black person for another black person or one Asian person from another. I mean mistaking an Asian-American for a Latino dude (this happened at WisCon).

This happens all the time. ReaderCon was no exception. I watched a guy come up to John Chu at the Meet The Pro(se) party and ask him to sign the issue of F&SF with Ken Liu’s The Glass Menagerie. John was very polite when he said “I’m not Ken Liu.” That was, apparently, only one of the times that people mistook him for Ken Liu at ReaderCon this year. I heard that someone congratulated Sofia Samatar on being the guest of honor. I heard that someone started up a conversation with Mikki Kendall and then continued that conversation with a different black woman later on, not realizing that the shorter, lighter woman looked absolutely nothing like Mikki.

Here’s the thing: at cons, we are all wearing name badges. Thus, it is not at all shameful for you to look at said badge to confirm that you are, indeed, addressing the person of color you think you are. Especially if you have not ever met said person of color. It’s okay. But assuming that the Asian man standing in the room must be the Asian man you’ve heard of and asking him to sign a thing? No, people. No.

Over the years I’ve often joked about this. In fact, in my introduction of N. K. Jemisin at WisCon I referenced this phenomenon for the purpose of making folks laugh. I do sometimes find it funny.

Very often I do not. Because this is a form of erasure. It’s a microaggression with a subtext that says: I do not care to figure out the difference between one non-white person and another. And it makes us feel like you don’t eve think of us as people, but interchangeable entities.

And it needs to end.

Stop erasing our humanity by assuming that any brown person might be any other. Learn how to tell non-white people apart. Check name badges. If in doubt, ask us: “What’s your name, again? I’m good with faces but not names.” Don’t ask us: “Are you [other person]?” Stop erasing our accomplishments by assigning them to other people. Check your facts. And for the love of Seshet, stock our books in the damn dealer’s room!

Selfies With Books and other things I do for my job

In addition to my weekly short fiction recs over at io9 I have some summer reading recs over at xoJane, too. There I did novels and short story collections/anthologies so everyone is covered. And I took selfies with a lot of books. This is becoming a theme in my life: selfies with products.

Selfies with books

The other day I stopped in a hipster electronics store to take a selfie with some headphones since the pair I owned were stolen from me a while back. The poor guy working in the store was really confused because I walked in, asked after some headphones onthe wall, took a bunch of pictures of myself wearing them, then left. As I was going out the door he was all “Uh, can I help you…?”

“Nope!” I said cheerfully as I sailed away. I’m sure he thought I was loopy. But whatever, this is New York City. He should be used to much stranger stuff than this.

Other than headphones and books, what other products should I give the selfie treatment? I don’t look good in hats. Despite the overwhelming number of beads in my house I don’t wear jewelry much. Any suggestions?

My Faves: Time Travel Fiction and Media

Fans of NPR’s Weekend Edition may have caught a familiar voice when listening to the segment on time travel fiction. I had a great time talking to Petra Mayer about time travel, a topic near and dear to my heart. Yes, I am still writing a novel with time traveling twins (same world as my story in Diverse Energies). Now that all of NPR knows about it I guess I should finally finish.

In the mean time you can enjoy my best-loved time travel books, stories, and other media!

“It’s All True” by John Kessel (contained in his collection The Baum Plan for Financial Independence and Other Stories)

I mentioned this during the time travel panel at ReaderCon. In this story, a future society has invented time travel and they use it to go to parallel worlds, travel back in time, get famous people from the past, then bring them forward in time back to their own timeline. Thus avoiding changing their future. I swear this makes sense. The story centers around one guy’s attempt to convince Orson Wells to come to the future.

the freedom maze and kindred

The Freedom Maze by Delia Sherman and Kindred by Octavia Butler

I mention these two together because they share a basic premise (but are very different in sensibility as well as plot). In both, a person from modern times is thrown back into the era of American slavery, ends up with people who are her ancestors, and has to live as a slave for some portion of time. In Kindred the person is a grown woman who is pulled backward in time multiple times. In The Freedom Maze the person is a young girl who is actually white, but because she’s very tan is mistaken for a mulatto. She stays in the past for weeks and it’s unclear whether she’ll ever get back home. Both novels explore modern perspectives on the past in interesting ways.

Past Tense” and “Trials and Tribble-ationsStar Trek: Deep Space Nine

Some people will try to tell you that the best Star Trek episode about time travel is “The City on the Edge of Forever”. I don’t mind telling you that those people are wrong. As with so many things Star Trek, DS9 has the best episodes using this story vehicle. My ultimate favorite is, of course, the tribble one where the crew of DS9 travel back to the episode “The Trouble With Tribbles” and have to blend in with the original Enterprise crew. It’s awesome on so many levels from how seamlessly the effects crew blended the footage from TOS with the new footage to moments like this:

However, “Past Tense” has stayed with me all these years for a different reason. DS9 was often very social justice oriented, and this episode was chock full of it. For once, when Star Trek people ended up in the past on Earth it was not in the 20th century. Instead, they land in 2024 (still in San Francisco, though) in a dystopian America that is sadly not that hard to imagine. People who are poor, sick, or just undesirable are cordoned off into ghettos. And not just ghettos in the urban sense, but actual ghettos with walls and fences and an inability to get out where people have to fight over food rations and only get a place to sleep if the local gangs think you’re okay. It’s terrifying and not that far off the mark. This episode aired about 20 years ago. 2024 is 10 years from now. Think Star Trek will prove prescient?

Terminator: The Sarah Connor Chronicles

This series didn’t get a chance to flourish fully and it ends on what could be a cliffhanger or what could seem like a satisfying end given that we sort of know what happens after. The second season dragged in the middle for sure, but overall this is one of the best entries in the Terminator franchise, right up there with T2 and way better than T3 or what weird one with Christian Bale.

The main characters in SCC don’t do much time traveling themselves. What I loved about the time travel elements is that the war between Skynet and the humans takes place not only in the future but across both the relative past, the future, and the present. Several people and Terminator models are sent back in time at different points for specific and long term missions. And each time a person or group of people are sent back, it changes the future. So that woman you knew in the resistance and see again on the street might not be the exact person you knew, but a version of them.

And even when they strike a blow against Skynet, be it by destroying tech that will lead to it or getting rid of a Terminator come to kill someone, it doesn’t necessarily mean Skynet won’t still rise, it’ll just rise at a different date. All these elements are key to the plot, and kudos to the show for making all of this relatively straightforward and understandable. It’s not just some jumbled timey-wimey mess.

I am always looking for more time travel fiction to add to my to-read pile. Rec me some in the comments, if you would!

Reading, Reviewing, and ‘Rithmatic

Reading, Reviewing, and 'Rithmatic

I’ve been bad about updating this blog with new and exciting news about myself. So here’s some news.

Last week my review of the new Octavia E Butler eBook Unexpected Stories went up at NPR Books. I really enjoyed the book and my only sadness is that there aren’t more new stories to read. Go read the review and then go buy the book.

This week I am back on io9 posting roundups of my favorite short stories. Now it’s weekly instead of monthly, so I can talk about more stories I love.

Now that I’m reviewing for NPR and doing the story thing on io9 folks have been asking me about sending review copies and such. I have a policy! I’ll also post this on my About page, but here it is in case you’re curious:

NPR has pretty strict conflict of interest rules, so if we’re friends or I know you well or if you have published me I can’t review your book or an anthology/collection you’re in or you edited. It’s sadface sadness, I know. I can suggest books to my editor who will then pass them on to a reviewer without conflicts and that is okay. If you do not know me, you can certainly ask if I’d like a review copy of your book/anthology/collection. If I’m interested, I’ll pitch it to my editor. I cannot make the final decision on whether I can review something for NPR, so I may have to say no.

The io9 posts are not strictly reviews and I’m not claiming complete objectivity. The stories I mention are the ones I personally like, and that may include stories by people I know. I pick stories from the magazines (and sometimes anthologies) I read and that mostly includes free online ones. But if you have a print mag, or an eBook version of your zine with extra content, or an anthology you’d like me to read in case I like a story enough to mention it, please do let me know! Me agreeing to read does not guarantee you’ll get a mention, just so you know.

All that business aside, I’m very much enjoying reading more again and highlighting excellent fiction where I can. I’m still looking for a place to write about other media, especially when the Fall TV season starts up again.

N. K. Jemisin’s Introduction – WisCon 38

This year my role on the WisCon concom was as Nora’s guest of honor liaison. And one of the perks of that job is that I got first dibs on introducing her at various key moments, such as the night she gave her big speech. However, I wasn’t sure how such introductions go since I couldn’t remember the ones from past years. I asked Debbie Notkin and she suggested I could make it somewhat personal. Like the story of how we met (which was at WisCon). So, that’s what I did.

I never suspected that it would get such a strong reaction. Since a couple of people asked, I’m dropping the intro here for the folks who couldn’t be there.

Earlier this weekend I started to tell the story of how Nora and I first met. I remember it being at WisCon, she contends that it was at ReaderCon. But this is WisCon, and saying it happened at WisCon makes for a better story. So my memory wins.

We met at WisCon when Nora came up to me and, as way of introduction, said: Do you want to take bets on which of us gets mistaken for the other first? And I said: I’m not taking that bet because I’ve already been mistaken for Nalo Hopkinson today.

Back then there were only a handful of POC at WisCon–a generous handful, but the number was small. It was easy for Nora and I to remember each other for the rest of the weekend, and then later at ReaderCon, and then later online when we ended up arguing with the same people about the same stuff. Pretty soon she was blogging with me, then living in the same city as me, and then joining a writing group with me.

And let me tell you guys that I am so lucky to have her as a friend, and as a person I can turn to when I need writing advice or a critique. And I am super lucky that I sometimes get to read her stories and novels before almost anyone else. You’ve seen the announcement about that new book, The Fifth Season, coming out next year? I’ve read that book and it is awesome. Nanni nanni booboo.

Nora’s fiction is important for all the reasons why fiction written by a black woman from America is important. Representation is important. Our voices are important. But let’s not forget: her fiction is also damn good. I can’t tell you how many times I read the climactic chapter of The Hundred Thousand Kingdoms and every single time it gave me chills. I loved the other two books in the Inheritance trilogy, too. But then I got to The Killing Moon, first in the Dreamblood duology and there were ninja priests of death and it was AMAZING.

There are times when I can’t believe I know someone who writes that well. The worlds she builds and the characters she creates are vibrant and alive and, yes, diverse and full of people who look something like me. But anyone can find something of themselves in the pages of an N. K. Jemisin book. And that is why we’re celebrating her this weekend. Gentlefolk of WisCon38, please welcome to the stage your guest of honor: N. K. Jemisin.

I refuse to get older without the assistance of a sauna

My birthday is coming up in less than two weeks! If you’re in the NYC area, you’ve probably gotten an email from me (or twelve) listing all my various birthday events. I party hard!

People always ask me: what do you want for your birthday? And usually I say “I dunno” because I pretty much have everything I need in life. But  this year I do have something I want: a 24 hour spa day with massages and scrubs and treatments and the whole thing.

King Spa

Since this costs a bit of money, it’s not something I would ask for from one person. However, if multiple people would like to contribute towards such a thing, I would not object.

To facilitate this, I first set up one of those personal crowdfunding things but the process was arduous and annoying. No one likes that. In the end, PayPal is better, anyway.

So, if you would like to give me a gift for my birthday, you can send it via PayPal to my GMail address: ktempestbradford 

And to everyone who has already done so: you’re awesome, I love you, and I’m sending individual thank yous soon!

Finally: BIRTHDAY UNENDING STARTS RIGHT NOW.