A New Year’s Best Gives Me Thinky Thoughts About Existing Year’s Bests

Nisi Shawl

Yesterday a bit of news I’ve been sitting on excitedly finally went public. Aqueduct Press is going to start publishing a Year’s Best volume titled The Year’s Illustrious Feminist Science Fiction and Fantasy! Nisi Shawl will edit, and I’m among a handful of fabulous volunteers who will help her by reading everything I can and suggesting stories for Nisi to consider. It’s like slush reading except I’m slushing through published stuff.

This dovetails nicely with my gig at io9 (new post up today!) since I’m already reading all the short fiction I can get my hands on. Any story I like that I also consider feminist will go on the recommended list.

If you have a story you think is feminist that was (or will be) published in 2014 and you want it considered for this year’s best, you can submit it for consideration using this form.

Before you ask me to define a feminist story, know that this is an ongoing discussion amongst the folks working on this project. Likely there will be a definition or idea included in the call for submissions, coming out in a little bit. For now I say: if you think your story is feminist, fill out the form.

I’m so excited that Nisi is editing this volume as I don’t think there are enough female Year’s Best editors, especially for science fiction. You find prominent women amongst the horror and fantasy editors, but guys dominate volumes that include SF. And while many of those guys are good editors, this situation just feeds into the idea that science fiction isn’t for women. You know how I feel about that stupid idea.

Nisi may also be the only POC editor of a current English language Year’s Best–please do correct me if I’m wrong. The fact that I can’t think of any says volumes. The Year’s Bests have been edited by mostly male (all likely cis), maybe all-white editors for years and years. Giving a black woman the editing gig for a new one is a great first step.

It’s shouldn’t be the last step, though.

I’d be really interested to see what would happen if Dozois or Horton decided to turn over or share editing duties for a year or two to someone like An Owomoyela or Andrea Hairston or Amal El-Mohtar or Nalo Hopkinson or Saladin Ahmed? How different in sensibility would those volumes look?

Some of the story choices might be the same as there are always ones that stand out and get near universal praise. I imagine that there would also be many stories in the books that wouldn’t even have been considered by the traditional editors.

It doesn’t end at Year’s Best volumes–of the few outlets that review short stories professionally, how many of the reviewers are women or people of color?

So much of the conversation around which stories are best is dominated by white guys. But the genre is changing via both the writers of stories and readers of them. I’d like to see that change reflected in the editors and reviewers, too. As I said, Nisi Shawl editing this Year’s Best is a great first step. Let’s make sure it’s not the last.

“Why I Don’t Drink Anymore”

If you’ve been to my website recently you may have noticed that I changed the theme dramatically. Along with that I’ve been cleaning up some of the pages and making this place a more useful calling card for myself.

Right now I’m working on the Fiction page. It’ll probably be done by the time you read this. In the process of checking links I discovered that a story I published long, long ago at Abyss & Apex no longer exists on the website. That’s not a huge surprise. I think the archives got pruned long ago. And none of the editors working there now were working there back then.

I dug the page out of the Wayback Machine to reclaim the story, which I remembered as being rather short. I was right. Here it be:

Why I Don’t Drink Anymore

by not-K Tempest Bradford because I had a different pen name then

I’m sitting at my favorite café drinking absinthe when this guy comes up to me.

You’re a writer, aren’t you? he says.

Yeah, I says. How did you know?

You have that Hemingway thing going on, he says. Sitting around in a café all day. Drinking absinthe. Scribbling in your little notebook.

At this point I’m starting to get offended.

This isn’t Paris, you know, he says. This is Oregon. And you’re drinking in the middle of the day. Do you know what we call you types where I come from? Drunks. Damn drunks.

Then he walks away.

Oh, did I mention that this guy was a big scary eight foot tall monster with six arms? What a loser.

Moar Translations Please: A Rough Idea For SFF Magazines

 

Lost in Translation by Alfonso on Flickr

In the introduction to the SFWA European Hall of Fame anthology, editor James Morrow told the story of how this book came to be. It involved meeting up with a translator friend and discovering that translating fiction from one language to another involved more than just translating the words or even the concepts behind the words accurately, it also required the keen eye of an editor who could further shape and prod the prose so that it conveyed the original meaning and read well in the translated language. This is part of why works in translation don’t often make it into genre magazines. This process is time-intensive and, I imagine, expensive in magazine monetary metrics. However, it’s more important now than ever for Anglophone readers to read speculative fiction from outside the English speaking world, as this piece by Rochita Loenen-Ruiz proves.

How to address this dilemma? Some are doing so by offering their own translation services, free of charge, to authors. I love this, but also feel that the burden shouldn’t all be on them. I have an idea that’s been kicking around in my head for a while that I offer freely to anyone who wants to take it up and even improve upon. I do hope this is a workable idea, because I want to see more SFF from around the world on a regular basis.

From what I understand, students who are studying for a Bachelor or Masters degree in translation must do a certain amount of real world translation in order to get said degree[1]. Thus an internship that involves real translation work is a useful one to have, even if just for a few credits. This is what SFF magazine editors should do.

Obviously you wouldn’t have just any student as an intern for this. They’d have to be familiar with the genre and have a sensibility similar to the editor’s, or someone who can learn said sensibilities. I recognize that this is an important criterion; I don’t think it’s an impossible one.

There are two models I’ve worked out, one where interns work for one semester and another where they work fr two. In the one semester model, once you know which language(s) your intern(s) can translate, you have them read Best Of compilations and award-winning works from authors in that language going back two to four years or so. This might require a bit of research and reaching out on their part. They provide a short synopsis/overview of each one, and the editor picks a few that sound like they would work for their magazine. The interns then provide a first draft translation. If the story looks like it will work for that editor, they reach out to the author with an offer to publish, translated. If the author accepts, then the editor, translator, and author work together to fine tune the translation.

This will probably result in one or two translated stories in a 6 month period. Not a lot, but more than we see in most magazines. And if four magazines decide to do this, then that’s maybe 16 stories a year.

The two semester model starts out almost the same except the intern also spends the first semester reading every issue of the magazine put out in the last year and maybe reading the slushpile for a month or two. If, at the end of the first semester, the editor feels the intern understands what they look for in stories then the second semester can be about finding new stories to translate. You create a limited submission period for the language the intern can translate and solicit stories. The intern then reads slush, picks out the stories they think will work, and again provides the editor with a first draft translation for consideration. If it looks like it will work, the intern and editor work together on it with an eye toward final acceptance.

Again, this may only result in a couple of stories in that period. I think that’s fine and could be well worth the effort.

The interns get translation experience for school credit that’s directly applicable in the real world, magazines get to widen their horizons, and readers get to read awesome stories that they might not have, otherwise. Win!

I’m sure there are probably some flaws in this idea. Please do help me work them out in the comments. If even part of this seems workable to the editors out there, please give it a try.

Footnotes

  1. If I’m wrong about this or fuzzy on the details, please do correct in the comments.[]

Selfies With Books and other things I do for my job

In addition to my weekly short fiction recs over at io9 I have some summer reading recs over at xoJane, too. There I did novels and short story collections/anthologies so everyone is covered. And I took selfies with a lot of books. This is becoming a theme in my life: selfies with products.

Selfies with books

The other day I stopped in a hipster electronics store to take a selfie with some headphones since the pair I owned were stolen from me a while back. The poor guy working in the store was really confused because I walked in, asked after some headphones onthe wall, took a bunch of pictures of myself wearing them, then left. As I was going out the door he was all “Uh, can I help you…?”

“Nope!” I said cheerfully as I sailed away. I’m sure he thought I was loopy. But whatever, this is New York City. He should be used to much stranger stuff than this.

Other than headphones and books, what other products should I give the selfie treatment? I don’t look good in hats. Despite the overwhelming number of beads in my house I don’t wear jewelry much. Any suggestions?

My Faves: Time Travel Fiction and Media

Fans of NPR’s Weekend Edition may have caught a familiar voice when listening to the segment on time travel fiction. I had a great time talking to Petra Mayer about time travel, a topic near and dear to my heart. Yes, I am still writing a novel with time traveling twins (same world as my story in Diverse Energies). Now that all of NPR knows about it I guess I should finally finish.

In the mean time you can enjoy my best-loved time travel books, stories, and other media!

“It’s All True” by John Kessel (contained in his collection The Baum Plan for Financial Independence and Other Stories)

I mentioned this during the time travel panel at ReaderCon. In this story, a future society has invented time travel and they use it to go to parallel worlds, travel back in time, get famous people from the past, then bring them forward in time back to their own timeline. Thus avoiding changing their future. I swear this makes sense. The story centers around one guy’s attempt to convince Orson Wells to come to the future.

the freedom maze and kindred

The Freedom Maze by Delia Sherman and Kindred by Octavia Butler

I mention these two together because they share a basic premise (but are very different in sensibility as well as plot). In both, a person from modern times is thrown back into the era of American slavery, ends up with people who are her ancestors, and has to live as a slave for some portion of time. In Kindred the person is a grown woman who is pulled backward in time multiple times. In The Freedom Maze the person is a young girl who is actually white, but because she’s very tan is mistaken for a mulatto. She stays in the past for weeks and it’s unclear whether she’ll ever get back home. Both novels explore modern perspectives on the past in interesting ways.

Past Tense” and “Trials and Tribble-ationsStar Trek: Deep Space Nine

Some people will try to tell you that the best Star Trek episode about time travel is “The City on the Edge of Forever”. I don’t mind telling you that those people are wrong. As with so many things Star Trek, DS9 has the best episodes using this story vehicle. My ultimate favorite is, of course, the tribble one where the crew of DS9 travel back to the episode “The Trouble With Tribbles” and have to blend in with the original Enterprise crew. It’s awesome on so many levels from how seamlessly the effects crew blended the footage from TOS with the new footage to moments like this:

However, “Past Tense” has stayed with me all these years for a different reason. DS9 was often very social justice oriented, and this episode was chock full of it. For once, when Star Trek people ended up in the past on Earth it was not in the 20th century. Instead, they land in 2024 (still in San Francisco, though) in a dystopian America that is sadly not that hard to imagine. People who are poor, sick, or just undesirable are cordoned off into ghettos. And not just ghettos in the urban sense, but actual ghettos with walls and fences and an inability to get out where people have to fight over food rations and only get a place to sleep if the local gangs think you’re okay. It’s terrifying and not that far off the mark. This episode aired about 20 years ago. 2024 is 10 years from now. Think Star Trek will prove prescient?

Terminator: The Sarah Connor Chronicles

This series didn’t get a chance to flourish fully and it ends on what could be a cliffhanger or what could seem like a satisfying end given that we sort of know what happens after. The second season dragged in the middle for sure, but overall this is one of the best entries in the Terminator franchise, right up there with T2 and way better than T3 or what weird one with Christian Bale.

The main characters in SCC don’t do much time traveling themselves. What I loved about the time travel elements is that the war between Skynet and the humans takes place not only in the future but across both the relative past, the future, and the present. Several people and Terminator models are sent back in time at different points for specific and long term missions. And each time a person or group of people are sent back, it changes the future. So that woman you knew in the resistance and see again on the street might not be the exact person you knew, but a version of them.

And even when they strike a blow against Skynet, be it by destroying tech that will lead to it or getting rid of a Terminator come to kill someone, it doesn’t necessarily mean Skynet won’t still rise, it’ll just rise at a different date. All these elements are key to the plot, and kudos to the show for making all of this relatively straightforward and understandable. It’s not just some jumbled timey-wimey mess.

I am always looking for more time travel fiction to add to my to-read pile. Rec me some in the comments, if you would!

Favorite Fiction (Feb & March 2013) plus new ways to find my faves

Favorite Fiction (Feb & March 2013) plus new ways to find my faves

Over at io9 my list of best short stories from February and March is now live. Those ten stories represent my very top picks, but there are several more I hearted over the past couple of months. I listed them below.

Before we get to that, a couple of things! First, I created a Flipboard magazine recently where I intend to collect all the stories I favorite each month. It’s the same list you’ll see here, so it’s basically another way to see the same info. With a Flipboard magazine you’ll get an update every time I add a new story and won’t have to wait for the end of the month. Plus, the stories will just show up in your regular Flipboard, no need to do anything extra. To subscribe, search for “ktempest” in Flipboard. The magazine is called Fantastic Flippin’ Fiction.

I mentioned in January’s post that I was looking for a venue where I could discuss short stories in depth. Not just the ones I like, but any one worth discussing, including stories I don’t like. To that end, I’m doing some experimenting. I created a Google+ community. I intend for it to be a participatory thing, not just me. Anyone can post links to stories, start a discussion, or make recommendations. If you have a Google account, you can join.

Now, onto the picks!

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

Utopias In Literature (Scholar & Feminist Conference 2013)

Utopias In Literature (Scholar & Feminist Conference 2013)

This year’s Scholar & Feminist Conference theme is Utopia, and I’m honored to be leading a workshop about Utopia and Literature. I’m going to discuss mainly speculative fiction novels and short stories (thus the reading list below), explore how writers have handled the idea of utopia and dystopia, and discuss the ways writers can think about utopia going forward. I’m also going to get into how fiction handles utopia affects the reader and/or culture.

In preparation for this workshop I had some great conversations with other speculative fiction authors about utopia and dystopia so that I could incorporate their viewpoints into the discussion. I want to thank Justine Larbalestier, N. K. Jemisin, Rahul Kanakia, Nisi Shawl, Eileen Gunn, and Catherynne M. Valente for helping me expand and explore my own ideas about utopia by offering their own.

The ideas I will use as a jumping off point are:

  • Science fiction as a genre is well suited to utopias because it “explores our world by positing another one that works a bit differently.” (Eileen Gunn)
  • If utopia is an ideal, is there such a thing as an objective ideal? Can a utopia ever be a utopia for everyone? Or if you create a perfect society for one group, who then becomes dominant, does that mean the non-dominant group/s must be oppressed?
  • Utopia is relative. The utopias we see in fiction may work for one set of people but are dystopian for another set.
  • Many modern stories and novels are specifically dystopian in nature or are utopias that reveal themselves as dystopias. Why is this the modern mode of exploration?
  • What do the types of utopias we see in fiction reveal about the authors who write them and the society or culture they come from? The ideals they include and the ones they leave out speak to their point of view and what they value and don’t.
  • Is it possible to show a true utopia in fiction? One view is that fiction requires conflict, so the author must show the utopia to be flawed in some way. Another view is that the conflict doesn’t have to come from within the utopia itself but from outside. The point being not to show that the utopia is flawed, but that the outside forces are.
  • Utopia as positive text. Creating a positive text, be it a positive feminist text, positive womanist, positive toward the idea that people are equal and should be created with respect — can this be a form of utopian writing? What affect does this have on the reader, on culture?

The workshop begins at 12:25pm Eastern (3/2). You can follow what people are saying on Twitter about the workshop and the conference by checking out the hashtags #sfutopialit and #sfutopia. This post will evolve and grow as the workshop goes on and afterward as I incorporate what the workshop participants have to say. I’ve invited all of the people in the workshop to liveblog and Tweet as well as bring the discussion to the comments on this post. Even if you’re not in the workshop physically, I hope my regular readers will also offer their thoughts on utopia.

Very Selective Reading List

I will add links to all of these works later on. During the workshop I expect we will generate more stories and novels to include in this list.

  • Octavia Butler
    • Parable of the Sower
    • Parable of the Talents
  • Steven R. Boyett
    • Elegy Beach
      • N. K. Jemisin: Takes place 20 years after Ariel. The protagonist grew up in this world where magic works and science doesn’t, and he’s excited by the world’s magic. His father remembers the world as it was. It’s a utopia for the son, not for the father.
  • Suzy McKee Charnas
    • The Holdfast Chronicles (Walk to the End of the World, Motherlines, The Furies, The Conqueror’s Child)
  • John Crowley
    • In Blue” (short story)
      • Nisi Shawl: a future utopia, a socialist world. It’s hard to envision what a totally happy utopia can be. He does this, but from the point of view of someone who doesn’t get it. It’s not a perfect utopia for him but it is for everyone else.
  • L. Timmel Duchamp
    • The Marq’ssan Cycle (Alanya to Alanya, Renegade, Tsunami, Blood in the Fruit, Stretto)
  • Charlotte Perkins Gilman
    • Herland
  • Kathleen Ann Goonan
    • This Shared Dream
      • Eileen Gunn: This book posits an attempt at creating a utopia. Here’s the blurb I wrote for it: “What if you could travel through time to fix what is wrong with the world? The world would resist, and the very act of trying would create parallel worlds with their own problems. This wondrous book, the story of a handful of people who seek to alter the twentieth century to create a better future, acknowledges the inhumanity of war and yet celebrates the joys of music, art, friendship, and family. And it reminds us that the future is made by the children of the present. I loved this book, and I heartily recommend it.”
  • N. K. Jemisin
    • “Too Many Yesterdays, Not Enough Tomorrows” (short story)
      • Example of a relative utopia
  • Rahul Kanakia
    • Next Door” (short story)
      • Written from the point of view of a character who sees the world as dystopian, but when flipped to the antagonist’s POV could be utopian.
  • Ursula K. LeGuin
  • Kat Meads
    • Sleep
      • From the Tiptree Award website: This is a fierce, unrepentantly experimental, somewhat raw novel about motherhood in a highly gray utopia.
  • Marge Piercy
    • Woman on the Edge of Time
      • From the Tiptree Award website: Piercy not only creates a complex and intricate utopian vision, but tosses in a dystopia and an all too realistic real world as well. Connie Ramos is one of science fiction’s most genuine heroines. She has to be dragged, kicking and screaming, into utopia. The rest of us, at the end of the book, have to be dragged out.
  • Joanna Russ
    • The Two Of Them
      • Nisi Shawl: Secret agents across time go to this planet that’s been settled by people who are trying to set up a religious utopia based on Islam.
    • The Female Man
    • “When it Changed” (short story)
      • Takes place in the same world as The Female Man
    • “Houston, Houston, Do You Read”
  • Starhawk
    • The Fifth Sacred Thing
      • A post-apocalyptic novel depicting two societies, one a sustainable economy based on social justice, and its neighbor, a militaristic and intolerant theocracy.
  • Catherynne M. Valente
    • The Orphan’s Tales cycle (In the Night Garden, In the Cities of Coin and Spice)
  • Connie Willis

Anthologies

Favorite Fiction from January 2013; New Related Projects; Fiction Review Contraption?

Favorite Fiction from January 2013; New Related Projects; Fiction Review Contraption?

First favorite fiction post of 2013 and there is a lot to talk about besides the fic I liked! I’ll begin with business.

First, I am posting a short list of favorite fic every month over at io9 now. Click here to see January’s picks. Each month I’ll choose my top favorites, usually 5 or so, to list there. I’ll also do more with print/subscription/non-free fiction there and podcasts. That list won’t mean that these lists will go away, though. There are shorts listed here that aren’t listed there.

Second, I’m now part of the Not If You Were The Last Short Story On Earth crew, so I will contribute to the Twitter account and possibly the podcast (I’m not in Australia or anything, so I have no clue how that works). So if you want to keep up with the stories I like as I read them, follow that account. I’m not the only one who tweets, so you get bonus thoughts from other folks doing the same thing I am.

Last, ever since I started reading short fic regularly I’ve wanted to have a place where I could go to have discussions about the stories. Not just the stories I like, but the ones I don’t that I still find interesting enough to discuss. Last time I brought this up on Twitter many were interested, so I’m bringing it up again. The thing I’m unsure about is where to host this discussion. G+ communities are now live and could work. DreamWidth communities might be better since it can be a little bit (but not totally) private. I’m just worried about people who may want to join the discussion feeling like they can’t unless they join DreamWidth. Maybe that’s an unfounded concern. Anyway, I would love to hear suggestions on this.

Okay, all that taken care of, it’s now time for the favorites list!

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

Would you like to nominate me for awards? I would not object.

Would you like to nominate me for awards? I would not object.

Earlier this month when I posted my personal Best Of list of short stories for the year, I stated that I would like to see any of those works nominated for awards. This is very true. Later on I’ll also make a post about other folks or works I think deserving of nominations, including novels and such. But this post is all about me.

Yes, it’s completely selfish, blah blah. Moving on.

I had a handful of pieces published in 2012, both fiction and non. And since it’s all the rage to mention lately, I am eligible to be nominated for the Fan Writer Hugo based on my blogging and other non-professional publications, such as this piece that went up on io9.

As far as fiction, my story “The Birth of Pegasus” in Dark Faith: Invocations is under 7,500 and eligible for the Hugo, World Fantasy, and Nebula awards. My story “Uncertainty Principle” in Diverse Energies is over 8,000 words (I believe), so counts as a novelette for the Hugo and Nebula awards.

I would also love to see Chicks Unravel Time nominated for Best Related Work in the Hugos. That’s not just about me, but about all the really amazing contributors to the book and the editors who so wisely put it together.

So there you go, my award eligibility for 2012 stuff. Act on it as you will.

The Best Short Fiction of 2012 (According To Me) + 2012 Fiction Stats

Now that I’ve finished reading short stories for 2012, it’s time for some lists and statistics! I know, I know, lists can be boring. But not this one. I put together a list of what I consider the best short fiction of 2012. This is culled from my Favorite fiction lists I’ve been doing all year. Keep in mind that this is pretty much limited to free fiction online, so it doesn’t include stories from print mags like F&SF, Asimov’s, and the like.

If you plan on nominating works for awards, I encourage you to consider these. All are eligible for the Hugo, and some are eligible for other awards (I marked the ones I could think of below).

I’ve listed them in chronological order from most recently published backwards.

Now as to stats.

There are 19 stories on my best of list, that’s out of 82 favorite stories for 2012. I don’t have an accurate count for how many stories I read in total, sadly, but I know I read a great deal. I can’t claim to have read every story published for free online. A lot of time I stuck to the magazines I know I like the most. But toward the middle of the year I did pick up some new reading and tried to dip into new-to-me markets more often.

Just taking the 19 stories on my Best Of list, it’s clear that I dig Clarkesworld and Lightspeed Magazines the most, since there are 4 stories from each. Next is Strange Horizons, with two stories that made the list. (Also keep in mind that this only represents stories published in 2012 and not reprints from other years).

This pattern pretty much holds when you look at the breakdown of all magazines that made my favorites list this year.

Lightspeed is at the top (again, this is with originals) followed closely by Clarkesworld and Strange Horizons. Apex also has a good showing. After that it drops pretty dramatically. For some magazines, this is because they publish far fewer stories in a year. Eclipse Online is new, so the percentage of stories I’ve liked from the magazine is high, relatively. However, it is telling that DailySF is only on my list once. If you include the reprints I liked (9 total) then Lightspeed gets 22 thumbs up from me for the year.

I would be interested to hear from the editors of these magazines on how many stories they published in 2012 so I can get an idea of what percentage of their offerings I liked.

Of my favorite stories, 60 were written by women and only 19 written by men. Two were written by persons of unknown (to me) gender. There are 18 authors of color on my favorites list. Most of the male authors I like are POC.

The SF/F split continues to be about even. 48 of the stories I liked are science fiction and 51 are fantasy. Only 4 horror stories and 3 I classed as Interstitial (with some overlap with SF/F).

Several authors show up in my favorites more than once: Aliette de Bodard, Rahul Kanakia, Ken Liu. This is partially a testament to how prolific they are, but also does represent my fondness for them. Liu in particular comes to mind whenever someone asks me about favorite authors or for suggestions on what to read. Should also mention here that I’m in Diverse Energies with both Liu and Kanakia — to be in this company makes me very happy. (I also really liked their stories.)

Overall, I’ve enjoyed reading all this short fiction in 2012. It’s definitely inspired me to write more. Plus, I like being able to see the growing expansion of the genre as I discover new gems. I will continue to read as much short fiction as possible in 2013. In fact, I’ll likely read way more.

The crew over at Not If You Were The Last Short Story On Earth asked me to join the blog, and I happily said yes. So more print mags are in my future. I also talked to AnnaLee Newitz and Charlie Jane Anders about possibly doing a short fiction roundup for io9. Hopefully that will happen this month.

You can see all of the short stories I liked this year by surfing the tag on my blog or over on Delicious. On Delicious you’ll see some more numbers that may interest you.

My Favorite Fiction from November and December 2012

Welcome to 2013, everyone! Since I was so abominably late with my October favorites I decided to spend my vacation time reading and thus get you my final favorites for 2012 just as we rang in the new year. In a separate post I’ll also put up my top picks for the year. The stories that I would put in a year’s best collection were I in charge of one.

There’s a nice, long list of great stories here with some new names among them.

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

My Favorite Fiction From October 2012

Yeah… so October. I realized today that the reason I’m behind on posting this list is that I just haven’t had the energy to write up a little review/summary of why I like these stories. And that continues and continues to be the case. Since we’re deep into December and I haven’t even posted November’s picks yet, I figured I would just toss the list up.

Here’s what I’ll say about them all: I liked each of these stories and loved others. If I had to pick out one that stood out, it’s Said The Princess. That one totally charmed and amused me. I think I was most surprised because Daily Science Fiction rarely publishes anything I like.

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

Fiction Favorites By The Numbers #1

Fiction Favorites By The Numbers #1

I’ve been keeping track of all my favorite stories over on Delicious as well as here on the blog. Delicious is still one of the best public bookmarking tools around thanks to the tagging system, which is a little better than it was under Yahoo (finally, spaces!). Due to the way I’ve been tagging stories, I have some good data on them. Peeking in there just now revealed a few things that surprised me.

To start, if you’d asked me what my favorite online magazine is, I would have said Strange Horizons or Clarkesworld. However, a look at the numbers reveals that of the 55 stories published in 2012 that I liked, Lightspeed published most of them (14, to be exact). Clarkesworld is a close second with 11 liked stories. Then after that Strange Horizons and Apex Magazine tie at 6 with Electric Velocipede right behind them with 5. Apparently, my tastes match up with John Joseph Adams’ pretty regularly.

Here are all the magazine numbers in helpful chart format:

Magazine Chart

click to embiggen

Some magazines have lower numbers because they don’t publish as often, but I’m a little sad for Tor.com.

I also track genre data and find that I like SF and Fantasy about evenly (27 and 24 stories, respectively) with a small smattering of horror. Very small. Of the 55 stories, 44 are by women and 14 by authors of color. Obviously there’s some overlap.

I’ll crunch these numbers again at the end of the year to see if anything shifts.I may also go a bit insane and calculate, based on number of stories published total and the number I liked if Lightspeed is still a favorite based on proportion. If a magazine publishes 12 stories a year and I like 5 vs one that pubs 50 stories a year and I like 10, the first one is obviously closer to my tastes.

Any of you out there keeping track of which magazines usually publish stuff that satisfies you in any kind of empirical way?

My Favorite Fiction from September 2012

My Favorite Fiction from September 2012

This month, the list is rather long. This explains my lateness in putting up this post (sort of… I’m also lazy!). I discovered a cache of new magazines this month, thus adding greatly to the number of stories I read and liked.

Several weeks ago I lamented about the fact that there weren’t many markets for long stories such as novellas and novelettes. As a result, people kept suggesting markets to me. I was reminded that Electric Velocipede takes longer stuff, and introduced to GigaNotoSaurus and The Red Penny Papers, which both take novelettes. I’ll put up a post later this week with a longer list.

As always, I welcome any discussion of these stories in the comments. let me know if you liked them or not and why an feel free to tell me I’m wrong and have bad taste! Also, consider dropping a comment where the option is available on the original stories.

Visit my Favorite Fiction tag to see all the other short stories I’ve liked so far this year.

I Still Have That Dream

I Still Have That Dream

Been wondering why I’m in such a funk lately, then my calendar reminded me again this morning that today is my mother’s birthday. Her name is Marjorie Bradford and she died 13 years ago now, but the pain feels pretty fresh whenever I stop to think about her (which is often).

For many years after her death I tried to write a story that encapsulated how I felt about what happened and how much I loved her, but nothing ever came out quite right.

After she died, I had tons of dreams about her, but most of them had a common theme. In them, I was often aware that I only had a little bit of time to spend with her because I understood that she was sick and still dying. In some dreams she was very sick, in others almost completely healthy. A few times in my dreams I even asked her “How much time do we have?” and she’d say “Only a little while” or “A few days” or something.

It was as if, in my dreamscape, I was able to roll back the clock a little and revive her, but not completely and for good.

In mulling over why she almost always manifested in this way in my dreams led me to finally being able to write a story about her that did all of my memories and feelings and her impact on me justice. The story is “Elan Vital” and you can read or listen to it over at Escape Pod.

I’ve never read that story in public and probably never will because any attempt to do so will end up with me curling up in a ball sobbing. I don’t even read it to myself for that same reason.

However, when the story first appeared on the podcast I saw so many people praising the reading of it, I decided to listen to just a few minutes. I ended up listening to the whole thing. Mur Lafferty, as you may know, is an extremely talented reader. She did such justice to that story I can’t praise her enough.

Happy birthday, mom. I miss you and love you and I still have that dream.