Erasure Comes In Many Forms – A ReaderCon Report

Erasure Comes In Many Forms - A ReaderCon Report

The other weekend ReaderCon happened and, on the whole, I had a great time. I am sad I had to leave early to go to a wedding in the city, but that’s way better than missing everything. ReaderCon is usually a good time, even as much as we snark about multiple references to Proust.

There were a couple of things that marred my enjoyment of the con and I’d been trying all last week to write about them. Instead of trying to temper my anger and aim for tact, I’m just going to be blunt.

The fact that none of Andrea Hairston’s books were in the dealer’s room is bullshit of the highest order. Andrea was a Guest of Honor. You don’t fucking NOT stock the book of a guest of honor at a con where you are a book vendor. How is this not con vending 101?

Andrea Hairston is not here for your bullshit

 

The ReaderCon dealer’s room is called The Bookshop for a reason: almost 100% of the stuff for sale is there are books. Every now and then there might be a T-shirt vendor or maybe a flash of jewelry. But it’s ReaderCon, so it’s all about the books. This makes sense.

Some of the booksellers are publishers who are pushing their own books and maybe the occasional extras by smaller presses who can’t afford a table. Those dealers not carrying Andrea’s books makes sense–they are not her publisher.

Some of the booksellers deal in used books or rare books. They also have some excuse for not selling Andrea’s books.

But to the several vendors who sold current, regular books? You all need to have your asses kicked.

Throughout the con attendees asked these sellers if they had any of Andrea’s books. I know for a fact that one of them, Larry Smith Booksellers, told people that her books are out of print. Which is a lie. When I asked, a guy I can only assume was Larry Smith himself yelled this at me. He was angry–really angry–that I had dared to ask him about this and proclaimed loudly that he only sells new books. Meanwhile, Andrea’s most recent book came out weeks ago. Guess that’s not new enough for him.

As an aside, the selection of books on offer by Larry Smith and the other general book vendors is hardly any better than what I can find in the Barnes & Noble. So what value are they adding to ReaderCon, exactly?

If you can’t be bothered to order the books of a guest of honor at the con and you’re rude as hell to con attendees? You shouldn’t get to vend at ReaderCon. And I’m filing a report with the con chair to that effect this week.

In addition to that indignity, the newest issue of Locus contains this:

Alaya Dawn Johnson wasn't even there

That’s from their article on WisCon. There’s a picture of Andrea (with correct attribution) to the right of these words. So it’s a real mystery why the 2011 Tiptree award winner is identified as Alaya Dawn Johnson, who has not won any Tiptree nor was she at the con at all. Seriously, not at all.

Alaya Dawn Johnson wants you to stop saying she was at WisCon

Ever since I started going to cons I’ve joked about how (mostly) white folks can’t tell the POC at the con apart from each other. I don’t even mean just mistaking one black person for another black person or one Asian person from another. I mean mistaking an Asian-American for a Latino dude (this happened at WisCon).

This happens all the time. ReaderCon was no exception. I watched a guy come up to John Chu at the Meet The Pro(se) party and ask him to sign the issue of F&SF with Ken Liu’s The Glass Menagerie. John was very polite when he said “I’m not Ken Liu.” That was, apparently, only one of the times that people mistook him for Ken Liu at ReaderCon this year. I heard that someone congratulated Sofia Samatar on being the guest of honor. I heard that someone started up a conversation with Mikki Kendall and then continued that conversation with a different black woman later on, not realizing that the shorter, lighter woman looked absolutely nothing like Mikki.

Here’s the thing: at cons, we are all wearing name badges. Thus, it is not at all shameful for you to look at said badge to confirm that you are, indeed, addressing the person of color you think you are. Especially if you have not ever met said person of color. It’s okay. But assuming that the Asian man standing in the room must be the Asian man you’ve heard of and asking him to sign a thing? No, people. No.

Over the years I’ve often joked about this. In fact, in my introduction of N. K. Jemisin at WisCon I referenced this phenomenon for the purpose of making folks laugh. I do sometimes find it funny.

Very often I do not. Because this is a form of erasure. It’s a microaggression with a subtext that says: I do not care to figure out the difference between one non-white person and another. And it makes us feel like you don’t eve think of us as people, but interchangeable entities.

And it needs to end.

Stop erasing our humanity by assuming that any brown person might be any other. Learn how to tell non-white people apart. Check name badges. If in doubt, ask us: “What’s your name, again? I’m good with faces but not names.” Don’t ask us: “Are you [other person]?” Stop erasing our accomplishments by assigning them to other people. Check your facts. And for the love of Seshet, stock our books in the damn dealer’s room!

N. K. Jemisin’s Introduction – WisCon 38

This year my role on the WisCon concom was as Nora’s guest of honor liaison. And one of the perks of that job is that I got first dibs on introducing her at various key moments, such as the night she gave her big speech. However, I wasn’t sure how such introductions go since I couldn’t remember the ones from past years. I asked Debbie Notkin and she suggested I could make it somewhat personal. Like the story of how we met (which was at WisCon). So, that’s what I did.

I never suspected that it would get such a strong reaction. Since a couple of people asked, I’m dropping the intro here for the folks who couldn’t be there.

Earlier this weekend I started to tell the story of how Nora and I first met. I remember it being at WisCon, she contends that it was at ReaderCon. But this is WisCon, and saying it happened at WisCon makes for a better story. So my memory wins.

We met at WisCon when Nora came up to me and, as way of introduction, said: Do you want to take bets on which of us gets mistaken for the other first? And I said: I’m not taking that bet because I’ve already been mistaken for Nalo Hopkinson today.

Back then there were only a handful of POC at WisCon–a generous handful, but the number was small. It was easy for Nora and I to remember each other for the rest of the weekend, and then later at ReaderCon, and then later online when we ended up arguing with the same people about the same stuff. Pretty soon she was blogging with me, then living in the same city as me, and then joining a writing group with me.

And let me tell you guys that I am so lucky to have her as a friend, and as a person I can turn to when I need writing advice or a critique. And I am super lucky that I sometimes get to read her stories and novels before almost anyone else. You’ve seen the announcement about that new book, The Fifth Season, coming out next year? I’ve read that book and it is awesome. Nanni nanni booboo.

Nora’s fiction is important for all the reasons why fiction written by a black woman from America is important. Representation is important. Our voices are important. But let’s not forget: her fiction is also damn good. I can’t tell you how many times I read the climactic chapter of The Hundred Thousand Kingdoms and every single time it gave me chills. I loved the other two books in the Inheritance trilogy, too. But then I got to The Killing Moon, first in the Dreamblood duology and there were ninja priests of death and it was AMAZING.

There are times when I can’t believe I know someone who writes that well. The worlds she builds and the characters she creates are vibrant and alive and, yes, diverse and full of people who look something like me. But anyone can find something of themselves in the pages of an N. K. Jemisin book. And that is why we’re celebrating her this weekend. Gentlefolk of WisCon38, please welcome to the stage your guest of honor: N. K. Jemisin.

Wiscon 38 Panel Brainstorming Post

Wiscon 38 Panel Brainstorming Post

NOTE: If you’re coming for the first time, here are the panels that still need work:

—————-

Panel submissions for WisCon 38 close soon, and I have many ideas! I know many of my friends have ideas too, but might need some help brainstorming or fleshing them out. Thus, I have created this post.

Anyone who has an idea can put it in the comments, not just me! Let us know what you need, such as: making a kernel of an idea into a full-fleshed panel, help crafting an effective description, coming up with a punchy title, or finding fellow panelists so you can submit a pre-populated idea.

It will make discussions easier if you put one panel idea per comment (make as many as you want) and then folks can reply below each in the thread.

That’s it, let’s have fun!

 

Some faces from Sirens 2013

I Spent Two Weeks Attending Two Women-Focused Geek Cons And It Was Pretty Awesome

Some faces from Sirens 2013

I love going to science fiction/fantasy conventions. It’s one of the biggest drains on my wallet throughout the year and I regret nothing. I love talking about SF/F media and literature with other people who love it the way I do.

When I first started attending the WisCon Feminist Science Fiction Convention, it was the only women-centric SF/F I’d heard of. Over the years, I got wind of others and friends encouraged me to attend two in particular: Sirens, an academic conference and retreat on women in fantasy literature, and GeekGirlCon, a convention celebrating women in media, science, and technology. When I found out that these cons took place on consecutive weekends in cities just four hours apart, I knew it was time for a lady geek excursion.

Avoiding the Rocks

I started my female-centric con experience with the Sirens conference, which takes place at the Skamania Lodge in Stevenson, WA. It’s a 40-minute drive from Portland, OR through the Columbia River Gorge. Driving along roads that cut through forests laden with turning leaves and close-clinging clouds that occasionally parted to reveal stunning waterfalls is the perfect way to get into the retreat mindset. By the time we crossed the Bridge of the Gods I knew I was heading to the perfect setting for a weekend of discussing fantasy literature.

Sirens is a very small conference with a narrow focus and only about a hundred women in attendance this year. This intimacy, combined with it being a conference and not a convention, gives Sirens a different vibe than most cons I’ve attended. There’s an emphasis on group discussions (not just panels), meals together, and individual keynotes each day. The narrow focus on academic discussions of women and fantasy literature gets even more specific in the keynotes and sessions that take on the yearly themes: warriors, faeries, monsters, retelling, and, in 2013, reunion.

Another thing affecting the vibe: a nearly complete lack of men. There were only three or four attending, so the conference space was almost exclusively women. (There may have been trans* or non-binary people whose gender I did not know, as well.) This might not seem unusual for a con that boldly announces the high presence of girl cooties up front. And if you’re familiar with academic conferences that focus on women’s issues, this won’t surprise you. It might if, like me, you’re from the world of SF conventions where even the most girl-cootie-filled among them (WisCon, for example) can still attract a decent number of guys.

Each of these elements contributes to the idea of Sirens as a “Safe Space” for women. Over and over conference organizers and attendees emphasized that point, and there is obvious pride in Sirens being the type of gathering where people can disagree yet still sit down to dinner together. Still, there are varying ideas of what makes a space safe.

As a woman of color, I don’t always find spaces created by white women or white feminists to be safe. Same with geeky or fandom spaces. Navigating the con scene means quickly assessing if a space is actually safe for me regardless of the label on the tin. It’s not often that someone sets out to make me uncomfortable or unwelcome at a con. Instead, I’ll encounter an unwitting microagression. Or, a person with no concept of their privilege, let alone how to check it, says or does something upsetting. That wasn’t my experience here.

I ended up pleasantly surprised at the depth of the attendees’ knowledge and interest in fantasy literature that goes beyond the white/white-washed epic tomes so often held up as great examples of the genre. Everyone I met was eager to understand different points of view and experiences of the world beyond their own. Nowhere was this clearer to me than in the Q&A sessions after the guest of honor keynotes by Alaya Dawn Johnson and Guadalupe Garcia McCall. Both women of color gave deeply personal speeches full of intersectional ideas and the understanding and solidarity they received back from the room impressed and bolstered me. This is the kind of space I feel safe in.

Meanwhile, At New York Comic Con

That same weekend my friends back home went to New York Comic Con. Each time I hopped on Twitter or Facebook to see how things were going, I discovered some new instance of harassment. It made me glad I was on the other side of the country.

There had been concerns prior to the con that one or more groups of dudes looking to entertain their fellow dudebros on YouTube might come to NYCC for the express purpose of harassing women there. Between the self-styled Referees of Cosplay who intended to call out women “too fat” to dress up as their favorite characters, the guys kissing women without permission so they could film their reaction, and the horrid SiriusFM-affiliated Man Banter dudes engaging in both sexist and racist harassment, the weekend was chock full of fail.

The good aspects of the con didn’t always balance out the fail for some people, especially women targeted for harassment. The swift action of the NYCC organizers to address the harassment is praise-worthy; it just doesn’t address the underlying problem. Even though Mike Babchik is banned, there are plenty of other men ready to take his place. And these men feel that New York Comic Con is an appropriate venue for their activities.

Thinking about why that might be, and the contrast between my friends’ NYCC experience and my Sirens experience got me thinking about the kind of conventions I attend and why. I only go to NYCC because I live in NYC, and even then only if I get a free press pass. I used to wish I could go to San Diego Comic-Con, but I prioritize my budget toward attending WisCon, World Fantasy, ReaderCon, or DragonCon. I stopped going WorldCon regularly several years ago. I would rather clean toilets than attend either PAX.

All of these cons cater to what I love — though the focus, vibe, and general purpose differ — and are ostensibly safe spaces to be a giant geek. Yet I do not feel that my geek self is welcome or wanted at SDCC, NYCC, PAX, or WorldCon.

Women Are Ambassadors

After San Diego Comic-Con I saw this quote, attributed to Hannibal‘s Bryan Fuller, popping up around Tumblr:

“What was really great about Comic-Con, it shows that the core demographic is young women… It’s all young ladies. Women love genre, they’re more open to genre in a strange way. … Women are the ambassadors.”

This is not new information. It’s also not just anecdotal. When Networked Insights measured social media response and engagement around the media being discussed at SDCC in 2013, women made up the majority. Brett Schenker’s compilation of statistics from Facebook show that 40% of the people who Like comic-related things are women. Facebook’s Doctor Who fandom is mostly female, according to this data. Women make most tech buying decisions, download more movies and TV shows than men, and play more games on certain platforms.

In his book “Comic-Con and the Business of Pop Culture,” Rob Salkowitz points out that “women today are the loudest and most compelling voices in fandom.” Yet the average media, comic, or science fiction convention is generally dismissive of, if not hostile to, the non-cis, het male population.

I could bring up a mountain of examples, but here are three:

SDCC 2011: Batgirl vs. DC Comics

ReaderCon and WorldCon 2012: Renee Walling vs People Who Don’t Want To Be Sexually Harassed

PAX 2013: Dickwolves vs All Common Sense

This crap is flying at women from all quarters: con attendees, con runners, con guests, con sponsors. It’s not surprising that more conventions and conferences now exist to offer respite from the nastiness. Sirens is one approach, GeekGirlCon is another.

Re-Centering The Focus

GeekGirlCon, now in it’s third year, is a more varied convention. It’s similar in style and scope to media and comic cons, though throws the net wider than most by including science, technology, engineering, and math (STEM) alongside literature, games, comics, TV, movies, and more. For such a young con I’m impressed with how ambitious GGC is in terms of providing a space for everything from tabletop gaming to professional networking, all with a focus on women.

That said, GeekGirlCon is a work in progress. The con’s track record on intersectionality is muddy, starting with the first year. A friend of mine warned me off this con because she got a strong vibe that she is not the “right type of geek girl” due to being POC. That was more about the attendees than the con itself, though this year a swell of anger rose up when people learned that problematic career feminist Amanda Marcotte was invited to participate in programming. As I said, work in progress. After talking to members of the staff and geeks involved in the community around GGC, it seems the con is worth the work and is also important on a larger scale.

At the Changing Culture in Mainstream and Alternative Spaces panel, I and my fellow panelists talked about the value of cons that focus on sub-sections of the geek community, such as women or LGBT people, and whether it’s better to create our own safer spaces or to try and make the mainstream conventions a better place for all geeks to be. Ben Williams, a founder of GaymerX/GaymerCon, spoke about how separating from a larger, less inviting culture has big benefits in helping people feel like they really belong.

However, Jo Jo Stiletto pointed out that even creating your own thing — in her case, roller derby — for your in-group doesn’t mean that it won’t grow and change into something that no longer feels right for you. Game designer Shoshana Kessock advocated for changing cons from the inside because she feels that if we completely withdraw, then the mainstream will only see geeks as the stereotypes we leave behind.

I can understand that point of view and I am often an advocate of changing instead of abandoning the cons I love. It can work; just look at how WisCon and ReaderCon have shifted in the past five years. However, there’s a big difference between those cons and PAX or SDCC, entities that aren’t as susceptible to big changes enacted by dedicated volunteers. I say the only way to force a change in that type of con is to starve them of their lifeblood: geek money and attention.

There Are A Lot Of Men Here

That’s where cons like GeekGirlCon come in. Here you have all the same kinds of events and panels and activities as other cons but with women at the center of the conversation. In this environment women hopefully feel like their voices and experiences and way of geeking out are celebrated and appreciated. If you listened to the common wisdom about centering women, you’d think that this type of con would result in a low male turnout. Not as low as Sirens, of course. But guys wouldn’t flock to this type of environment, would they?

Uh, yeah, they would.

There were far more men at GeekGirlCon than I expected and they participated at every level: on staff, on panels, and as attendees. And yet GGC people also spoke of the con as a Safe Space. Again, the idea of what is safe differs depending on what type of woman you are, yet I was pretty confident that there wouldn’t be anyone there saying that they “want to buy an umbrella [that comes] with an Asian girl,” no matter the gender. It’s not about banning or even discouraging guys from coming to the con, it’s about making it clear what is and is not valued that leads to a con women can feel safe attending.

So forget any ridiculousness you hear about how cons that cater to specific or marginalized groups are all about self-segregation. They’re not — not completely. Because if the con has all the elements geeks flock to cons for, it will attract all the geeks. And if these cons can attract geeks away from events that foster a hostile environment, then those other cons (and the media entities that support them) will either have to change or die.

There Are A Lot Of Women Here, Too

I’m torn on which option I want: Change or Die. The cons that represent the most problematic environments — NYCC, SDCC, PAX — aren’t the kind that I like to attend, anyway. I much prefer cons that are for the people attending and not media companies and sponsors looking to sell and market to us. Cons where fans and creators can share panel space and where attendees are treated with respect and not like cattle to be herded. And, after my two-week women-centric con adventure, I’m more reluctant than ever to go to cons that center the 18-49 year old, white, heterosexual male, explicitly or not.

Neither Sirens nor GeekGirlCon are perfect events and could benefit from a little change themselves. And I want to be part of that change. Because making a con better for me and women like me means making cons that are better for everyone. Guess I’d better start saving up now.

originally posted at xojane.

POC Dinner @ WorldCon

POC Dinner @ WorldCon

By popular demand we’re bringing the POC Dinner from WisCon to ChiCon. On Friday, August 31st, the POC attendees of the World Science Fiction Convention are invited to dine in glorious splendor (or just in a nice restaurant).

If you’d like the deets on this event, please contact me through the contact form on my website if you don’t already have my email. If we’re friends on Facebook, check your events list since it’s likely I’ve already invited you.

Looking forward to hanging with folks at WorldCon!

Social Media Resources for Sipping From The Firehose #WisCon36

Social Media Resources for Sipping From The Firehose #WisCon36

Just about to head into my next panel, “Sipping From the Firehose: Managing Writing and Social Media,” and wanted to get this list of resources up for those attending and those who are following along via Twitter. The hashtag for this panel is: #SocialMediaSFF.

This post will change slightly as the discussion goes along, and hopefully there will be a panel report or two from the audience I’ll link to.

Social Networks That Are Useful For Writers

These are in a roughly most useful to least useful configuration, but the relative usefulness also depends on what kind of writing and promoting you do. This is not a prescriptive list — every writer does not need to be on every network. This is just a list to consider. After the panel I’ll try to add context for which networks are good for what kinds of activities.

  • Facebook
  • GoodReads
  • LibraryThing
  • Tumblr
  • Twitter
  • Dreamwidth
  • LinkedIn
  • LiveJournal
  • Delicious
  • Flickr
  • Google+
  • Pinterest
  • DeviantArt
  • Reddit
  • StumbleUpon
  • Vimeo
  • YouTube

Social Networking Tools

These are services, apps, and plugins that make dealing with social media a bit easier, especially if you have multiple accounts.

  • Hootsuite — A social media dashboard that puts several social networks in one place. See updates from Twitter, Facebook, LinkedIn, WordPress, Ping.fm and FourSquare from one window. Update multiple accounts at once. Schedule updates for the future. Accessible from any browser and via apps for Android, iPhone and iPad.
  • Tweetchat — Tool that lets you focus on one hashtag at a time. Good for participating in Twitter chats.
  • TweetBot — The best iPhone/iPad Twitter client.
  • TweetCaster — One of the better Twitter clients for Android.
  • RSS Graffiti — Facebook app that posts a status update whenever you update your blog.
  • JournalPress — A WordPress plugin that crossposts to LiveJournal and DreamWidth.

WisCon 36 POC Dinner – Friday

WisCon 36 POC Dinner - Friday

Just an FYI: there will be a POC dinner at WisCon again this year. The reason I haven’t announced it officially yet is that we’re still nailing down a venue. We’re trying to find a place that can accept 50+ people, is close enough to the hotel that people will walk to it, and is inexpensive. Triangulating this has proved very complex :)

However, the general plan is for the event to happen during the sinner space in programming and before the opening ceremonies. We hope to get GOH Andrea Hairston and Mary Anne Mohanraj to attend, even if just for the beginning since they’ll need to leave early.

After the dinner, those of you who do not want to go to the opening ceremonies can join me in the POC Safer Space to talk about how folks can and should use the room during the con.

Writing and the Art of Provocation

Writing and the Art of Provocation

At last year’s Readercon I participated in a panel called Myth, Midrash, and Misappropriation (actually, I was the leader/moderator) with an interesting group of writers and Claude Lalumière. The panel was supposed to be about the appeals and challenges of creating fiction from a religious source and how to avoid or deal with the dangers of cultural appropriation and/or offending people.

I won’t recap the entire discussion for you, but the major highlight of the panel (for me) was when, in his introduction, Claude announced that the purpose of art is to be offensive or to offend people I can’t remember if he initially said offensive or to offend, but this was definitely the core of his argument. Art should offend! He said more than once until he started to backpedal pretty hard in the middle of the panel.

Not knowing much about Claude before that moment, I was unprepared for the douchewankery he brought to the discussion[1]. He was unprepared for how hard I would not allow him to get away with that statement or how prepared I was to challenge him on it. And he was super unprepared for how much the audience was not on his side when question time came. That’s when the backpedaling started.

We spent a good deal of time on the panel unpacking that initial statement and talking about all the ways in which it’s completely problematic (along with all the other problematic stuff he said such as how it’s okay for him to use any religious or spiritual trappings from any culture because he’s an atheist, anyway, and doesn’t believe in them oh and also he is from French Canada so he understands what it means to come from an oppressed, occupied culture). I believe it was Jack Haringa who, after initially agreeing with his understanding of what Claude meant, actually came around to something more like: artists may hope to offend if their message is aimed at a group or idea that they find offensive. Writing with an eye toward pointing out a horrible injustice, say. The ones perpetrating that injustice may be offended — good.

I sort of agreed with that as well, but still didn’t feel it was quite the right way to think about art. In the many months since I’ve poked at the idea more and more, but still hadn’t come up with a better way to think about what Jack was getting at. Then last month someone else came along and nailed it.

NPR’s Weekend Edition interviewed National Book Award-winning poet Nikki Finney, and toward the end of that interview she said this:

Art is about being provocative; art is also about beauty and if you leave the latter out, the former doesn’t matter.

I immediately thought: YES, THAT. That is what we were reaching for around the 600 pound gorilla of Claude’s initial statement.

There is no beauty in being offensive. Offending someone, especially when you’re coming from a place of privilege and oppression, is not the basis for great art, for beautiful art, even if the beauty you’re reaching for is terrible and tragic and real.

Consider the context in which Finney made this statement:

As a young poet, I grew up in the ’60s and early ’70s, when difficult things were being said and shouted and screamed,” Finney says. “I remember saying to myself, those things are very, very important to hear, but there must be another way to say them so that they will truly be heard. I mean, that’s what art is. Art is about being provocative; art is also about beauty and if you leave the latter out, the former doesn’t matter.

I haven’t read any of this woman’s poetry yet, but I want to. I feel like she can teach me the art of saying difficult things. I am often among those who say and shout and scream because that’s important, too. And I know for a fact that engaging in this mode of discourse does result in being heard, because I often have conversations with people who listened and appreciate it. But I’d also like to be adept at that other way she speaks of.

Footnotes

  1. Later, when I related the goings on to others, several people said “Oh, you didn’t know? Claude Lalumiere is a total douchecanoe.” No one warned me![]

WisCon 36: POC Safer Space

WisCon 36: POC Safer Space

I am once again the WisCon concom liaison and organizer for the POC Safer Space. This year I am joined in organizing and fabulousness by Jayme Goh. Huzzah!

We will once again be in the Solitaire Room since it affords us an out of the way space with no Gawkers. Last year we had the hotel push the conference room up against the wall which made the space a lot more inviting. I will also ask if more comfy chairs can find a way in there. If any locals are willing to donate comfy chairs, please let me know.

Last year we pre-scheduled some break out sessions and alternate panels in the room, but what seemed to work better was spontaneous stuff.I encourage any POC attending WisCon to come to that space if they need to discuss something that went down on a panel, continue a discussion that started at a panel, or if they just need a space to vent and calm down. I actually had some of the most enlightening conversations in that room during after-panel venting and I’m sure that will happen again,

However, if anyone wants to pre-schedule something please feel free. I just suspect mostly it will be spontaneous stuff.

The one thing I would like to schedule is a post Opening Ceremonies trip to the space so that people know where it is and how it will be set up and how they can use the space. This will come on the heels of the POC dinner earlier that evening. And then, of course, it’s party time.

Just as with last year, there will be coffee and tea service in the room throughout the day and a laptop for those who need to check email or Tumblr. Just don’t leave any Tumblr porn on the screen for those of us who are innocent ;)

Any questions, requests, comments, suggestions? Leave them in the comments or ping me via email or on Twitter or Facebook.

Tempest’s WisCon 36 Panel and Party Schedule

Tempest's WisCon 36 Panel and Party Schedule

WisCon 36 is almost upon us. Here’s where I’ll be!

Parties

Riots of Bloom | Sat, 9:00 pm Room 607

I’m the DJ.

Join us for spicy samosas and wine as we dance the night away to world beats! Riots of Bloom is a party to celebrate the speculative fiction of authors of color who have books and stories releasing this year. (N. K. Jemisin, Neesha Meminger, Kiini Salaam, Ibi Zoboi, Alaya Dawn Johnson) We are especially honored to celebrate WisCon 36 Guest of Honor and Tiptree winner, Andrea Hairston! So put on your most riotous colors and come prepared to boogie on down to the rhythmic beats of reggae, calypso, salsa, bhangra, and other world music!

Unnamed, not on the schedule shenanigans | Friday 11:00 pm room TBD

So there has been talk for a while about doing a party wherein we watch and heavily criticize Jem! and My Little Pony and some other beloved cartoons of our child and adulthood while eating gummi bears soaked in rum, vodka flavored with Skittles, and a number of other ridiculous, not safe for kids foods. Given the nature of the foods in question, it was suggested to me that we NOT make this an official party. So we’re going to find a suitable space and have it semi-privately.

Panels

From Sherlock to Sheldon: Asexuality and Asexual Characters in SF/F
Fri, 4:00–5:15 pm | Senate B

K. Tempest Bradford (mod), Liz Argall, Dawn Ash, L J Geoffrion, Jed Hartman

We’re all familiar by now with the sexual orientations homosexual, heterosexual and bisexual. Much less discussed are asexuals, persons who do not experience sexual attraction. This panel discusses what asexuality is and is not, and proposes ways for authors to explore this overlooked orientation in their characters. Is it enough that a character has no on-page sex life, or should asexuality be more positively portrayed? Asexuality in real-time fandom and asexual characters in fiction and media may also be discussed as time allows.

Feminist Blogging: What Is It and What Role Can It Play in Creating Social Change?
Sat, 10:00–11:15 am | Caucus

K. Tempest Bradford (mod), Brit Mandelo, Andrea Chandler, Michelle Kendall, Rachel Virginia Swirsky

The internet has seen an upsurge in feminist blogs, with those words returning millions of results in search engines. What are feminist blogs? How can feminist blogs help create positive change? In what ways can these spaces model an inclusive, non-hierarchical environment? What are the downsides to feminist blogging? Join us as we discuss new ways the internet can help further the discourse around issues of social and economic justice, feminism, and anti-oppression.

Sipping From the Firehose: Managing Writing and Social Media
Sat, 1:00–2:15 pm | Senate A

K. Tempest Bradford (mod), Barth Anderson, Kimberly Gonzalez, Michael J. “Orange Mike” Lowrey, David J. Schwartz

FaceBook, Google+, LiveJournal, Tumblr, Twitter, blog, traditional website: Does a writer need them all? How do they help with self-promotion? How do they help with the isolation of writing? If you participate in social media, how do you keep it all up-to-date and still find time to write?

Creating Your Own Religion
Sun, 10:00–11:15 pm | Conference 4

K. Tempest Bradford (mod), Ann Leckie, Alex Dally MacFarlane, Deirdre M. Murphy, Larissa N. Niec

Which SF authors create interesting, believable religions, and which get religion wrong? (What does it mean to “get religion wrong” anyway?) Do made-up religions with intervening gods work better than those without? How can we as writers avoid making mistakes when creating and writing about fictional religions?

Not Everyone Lives in the Future
Mon, 10:00–11:15 am | Room 623

Carrie L. Ferguson (mod), K. Tempest Bradford, Ruthanna Emrys, Jesse the K, Na’amen Gobert Tilahun

Technology has an undeniably transformative effect on our lives and it is worth examining who has access to those effects. Geeks are generally very engaged with technology and it is easy to assume that the Internet, cell phones, computers, etc. are a given in everyone’s lives. However, there are large communities where technological access is not at the level that geeks take for granted. How does lack of access to technology impede communities’ ability to prosper? How can geeks help to make technology more available to communities that may benefit from them? Are these transformative effects even desirable? What are good examples of SF that highlight or problematize this issue?

Reading

Title TBA
Sun, 4:00–5:15 pm | Michelangelos

Group reading: K. Tempest Bradford, Alaya Dawn Johnson, Jackie Mierzwa, Larissa N. Niec